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Xie Jin
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Xie Jin (1923-) is a native of Shangyu, Zhejiang Province. While young, he was educated in Chinese opera and classical literature and began his career as an actor in Shanghai in 1938. He later became a student of dramatists Cao Yu and Hong Shen in the State Theater Institute. There he was exposed to Western dramatic and cinematographic forms. He then studied Marxist theory at the Political Research Institute in the Northeastern Revolutionary University in 1950. He started out as an assistant director to the noted film personality Zhang Junxiang in 1948 and has been directing his own films in Shanghai since 1953.
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At a cost of 12 million dollars, Xie Jin’s 1997 film production, The Opium War, is the most expensive film production in Chinese film history. As a major film production by a privately-owned film studio, The Opium War illustrates many interesting and new developments in contemporary Chinese politics and culture. This paper is an attempt to understand this film in the context of commercialism and Chinese discourse on nationalism and modernity in the 1990s. The paper begins with an examination of the complex relationship between the state and filmmakers in the post-Mao era and shows that while the state tried to exploit the film for political purpose, the filmmakers took advantage of the state’s interest to profit themselves financially. Politics and commercial interests were delicately mixed in the production and promotion of this film. The paper then proceeds to a close reading of Xie’s film and points out a number of significant changes from the two previous Opium War films.
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Born in Shaoxing in 1923, Xie Jin grew up during World War II, when Japan invaded China. In his late teens he went to Jiang-an School of Dramatic Arts in Szechuan, studying under the prominent playwrights, Cao Yu and Hong Shen, and reading Ibsen, Shakespeare and Chekov. He had his first industry job in the Datong Studio shortly before the Liberation in 1949, after which he went to Shanghai and made his directorial debut in 1953 with A WAVE OF UNREST.His first popular success was WOMAN BASKETBALL PLAYER #5 (1957), acclaimed both at home and in Moscow. He continued to display his interest in women protagonists in THE RED DETACHMENT OF WOMEN (1960), one of the films commissioned to commemorate the tenth anniversary of the founding of the People's Republic: (This film is not to be confused with Jiang Qing's model opera of the same name.) TWO STAGE SISTERS (1964), criticized severely during the Cultural Revolution, received critical acclaim when shown in Britain in 1980 and has been shown on British television numerous times since then.During the Cultural Revolution, Xie Jin was ostracized and thrown into a "Monsters and Ghost Pen," a punishment given to many of Xie's generation. Rehabilitated within five years, he resumed his filmmaking. Yet still THE LEGEND OF TIANYUN MOUNTAIN (1981) and THE HERDSMAN (1982) aroused widespread controversy.
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Xie Jin (1923- ), one of the most renowned directors in the contemporary China, became famous for Woman Basketball Player No.5, China's first color sports feature film. His most representative pieces ... include The Red Detachment of Women and Stage Sisters. Woman Basketball Player No.5 depicts the different circumstances of Lin Jie, the mother, and Lin Xiaojie, the daughter, as well as the love affair between Lin Jie and Tian Zhenhua, showing the different fortunes of sports players before and after the founding of the People's Republic of China. Xie Jin skillfully shows the theme of the film through delineating the characters' separation and reunion and their growth, including their inner feelings. The depiction of the characters' love affair, their separation before and their reunion after the birth of new China shows the director's ingenuity. The film is fresh, meaningful, amiable, lyric, smooth and with ups and downs.
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Xie Jin was born in November,1923 from an intellectual family in Shangyu County of Zhejiang Province. In 1941, he entered Jiang’an National Academy of Drama in Sichuan Province. He began his career as a film director in 1948, and his masterpieces include Woman Basketball Player No.5 and Red Women Military. From then on, many films directed by Xie Jin have frequently won national and international awards. Now no other film director has won more honors than him in China. Xie Jin’s works have been accepted and appreciated by billions of audiences at home and abroad.
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In the People's Republic of China and abroad, the work of filmmaker Xie Jin is renowned for the ways he creates tragic melodramas out of complex political issues. While young, Xie Jin was educated in Chinese opera and classical literature. In 1938, he began his career as an actor playing patriotic roles in Shanghai. He later became a student of dramatists Cao Yu and Hon Shen in the State Theater Institute. There he was exposed to Western literature. He then studied Marxist theory at the Political Research Institute in the Northeastern Revolutionary University in 1950.
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Xie Jin