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Virginia Woolf: Writings
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(November 3, 2002) In the new film "The Hours," Virginia Woolf, in the exceedingly unlikely, utterly transformed person of Nicole Kidman, writes the words, the opening of the classic 1925 novel "Mrs. Dalloway."
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Virginia Woolf did return to the town a few times, and she ... stayed at Eagles Nest, Zennor, with her friend Ka Cox who had married the painter, politician and writer Will Arnold-Forster. But she was never again to live in the area for any length of time, despite her continuing references to it.
Virginia had two brothers, Thoby (1880-1906) and Adrian (1883-1948) who became a psychoanalyst. She was very close to her older sister Vanessa ‘Nessa’ (1876-1961) who would become a painter and marry art critic Clive Bell. She ... had four half-siblings; Laura Makepeace Stephen (1870-1945), and George (1868-1934), Gerald (1870-1937) [who would found Duckworth and Co. Publishing] and Stella (1869-1897) Duckworth.
At the end of that year, Virginia began writing reviews, initially for a clerical newspaper and then for the Times Literary Supplement. Her first novel, The Voyage Out, was completed in 1913, but publication was delayed for two years by another of her mental breakdowns.
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Virginia Woolf is considered to be one of the first representatives of classical modernism. She developed the story-telling technique of the “interior monologue”, which she used most consistently in her novel “The Waves”, which appeared in 1931. Virginia Woolf shaped this avant-garde technique with an expressly feminine subjectivity and autobiographical elements to create milestones in feminist literature such as “Orlando” or
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Who's Afraid of Virginia Woolf? Drawn by the power of its controversial stars and the fame of the play itself, the film Who's Afraid of Virginia Woolf? was a resounding commercial success. It was the most expensive black and white film ever made. Stars Burton and Taylor drew $750,000 and $1.1 million, respectively. Though Albee rumoredly wanted to cast Bette Davis and Henry Fonda in the roles, studio heads prevailed. Burton pushed Taylor to sign on. She then brought first-time director Mike Nichols on board, and Nichols in turn cast Burton as George.
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