LYCOS RETRIEVER 
The Innocents: Mark Twain
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Based on a series of letters Mark Twain wrote from Europe for San Francisco and New York newspapers as a roving correspondent, The Innocents Abroad (1869) is a caricature of the sentimental travel books popular in the mid-nineteenth century. Mark Twain's fresh and humorous perspective on hallowed European landmarks lacked reverence for the past, and was as mocking about American manners (including his own) as it was about European attitudes. Twain ultimately concludes that, for better or worse, "Human nature is very much the same all over the world."
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Based on a series of letters Mark Twain wrote from Europe to newspapers in San Francisco and New York as a roving correspondent, The Innocents Abroad (1869) is a burlesque of the sentimental travel books popular in the mid-nineteenth century. Twain's fresh and humorous perspective on hallowed European landmarks lacked reverence for the past-the ancient statues of saints on the Cathedral of Notre Dame are "battered and broken-nosed old fellows" and tour guides "interrupt every dream, every pleasant train of thought, with their tiresome cackling." Equally irreverent about American manners (including his own) as he is about European attitudes, Twain ultimately concludes that, for better or worse, "human nature is very much the same all over the world."
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The Innocents Abroad sold over 70,000 copies in its first year and remained the best-selling of Twain's works throughout his lifetime. This classic records Twain's keen wit and amusing observations during his trip throughEurope and the Holy Land in 1867. Edition ... includes all of original work's charming illustrations. 234 black-and-white illustrations
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The Innocents Abroad [I]s one of the most prominent and influential travel books ever written about Europe and the Holy Land. In it, the collision of the American “New Barbarians” and the European “Old World” provides much comic fodder for Mark Twain—and a remarkably perceptive lens on the human condition. Gleefully skewering the ethos of American tourism in Europe, Twain’s lively satire ultimately reveals just what it is that defines cultural identity. As Twain himself points out, “Broad, wholesome, charitable views of men and things cannot be acquired by vegetating in one little corner of the earth all one’s lifetime.” And Jane Jacobs observes in her Introduction, “If the reader is American, he may ... find himself on a tour of his own psyche.”
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When you dive into Mark Twain’s (Samuel Clemens’) The Innocents Abroad, you have to be ready to learn more about the unadorned, ungilded reality of 19th century “touring” than you might think you want to learn. This is a tough, literary journey. It was tough for Twain and his fellow “pilgrims”, both religious and otherwise. They set out, on a June day in 1867, to visit major tourist sites in Europe and the near east, including Greece, Turkey, Lebanon, Syria, “the Holy Land”, and Egypt. What Twain records, in often humorous, sometimes grotesque but always fascinating detail, are the day-to-day ups and downs of discovering the truth about people and places. The truths they learn are often far different than their education and rumor have made them preconceive.
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Mark Twain