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Terrence Malick: Directors
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Terrence Malick is truly an oddity in American cinema. With only three films to his credit as a director, he has inspired a devoted cult of fans and admirers, while remaining a virtual mystery amongst working directors today. Terms like ¿reclusive¿ and ¿secretive¿ were routinely applied to the late Stanley Kubrick, but Malick makes Kubrick look publicity hungry, if only due to the fact that Kubrick was positively prolific by comparison. If there is any filmmaker who deserves to be called ¿the cinematic equivalent of J.D. Salinger¿ (as Leonard Maltin dubbed him) it is Terrence Malick (a comparison so apt that it even gave rise to a recent – and completely unsubstantiated rumor – that the reclusive Salinger had actually granted Malick the film rights to his long-unfilmed novel The Catcher in the Rye).
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Like many American directors who emerged in the early 1970s, Terrence Malick went to film school—to the American Film Institute, where, indeed, his fellow students included Paul Schrader and David Lynch. But unlike many film school graduates, Malick arrived there, in 1969, with an already rich and varied past—in the study >>>
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In 1968, Malick received an appointment as a lecturer in philosophy at the Massachusetts Institute of Technology. Before the year was out, he had decided that teaching was not his forte. Instead, he enrolled in the first class at the American Film Institute's Center for Advanced Studies and began his film career. While still studying at the AFI, Malick began to work as a script doctor and rewrite man. He did uncredited work on Jack Nicholson's official directorial debut "Drive, He Said" (1971) and spent several weeks honing the script for "Dead Right" to star Marlon Brando. (The latter eventually became the Clint Eastwood vehicle "Dirty Harry" in 1971.) That same year, Malick sold his first script, "Deadhead Miles", a virtually plotless film that traces a rogue trucker (Alan Arkin) and his adventures on the highways. Directed by Vernon Zimmerman and owing a debt to other road movies like "Easy Rider" and Monte Hellman's "Two-Lane Blacktop,†the episodic film which was shot in 1972 played more as an in-joke (especially with the casting of such veterans as Ida Lupino and George Raft in cameo roles).
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Upon completing his AFI studies with 1972's 12-minute short Lanton Mills, Malick earned his first feature screenwriting credit on Stuart Rosenberg's Pocket Money. That same year, he ... began production on his directorial debut, Badlands. Rejecting all studio offers, Malick gathered financing through a partnership agreement with a group of several small investors, shooting with a non-union crew on a budget of less than 350,000 dollars. The finished 1973 product, an iconic and loose retelling of the Starkweather/Fugate murder spree of the 1950s, bore little trace of its low-budget genesis, however, and was widely hailed as a masterpiece upon its release. However, a follow-up was not quickly forthcoming, and apart from the script for Jack Starrett's 1974 crime caper The Gravy Train, penned under the pseudonym David Whitney, Malick fell silent for five years.
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Terrence Malick director movies DVDs filmography available to buy at CDUniverse are listed below. Information on films includes: other actor and actress, star cast and crew information, reviews, director, photo of cover art, product pics and more.
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[O]utside of Hollywood, director and Austin native Terrence Malick remains largely unknown to all but the most avid film buffs. Primarily this is due to the quantity rather than the quality of his output.
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