LYCOS RETRIEVER
Shakespeare: Works
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The most striking feature of Shakespeare is his command of language. It is all the more astounding when one not only considers Shakespeare's sparse formal education but the curriculum of the day. There were no dictionaries; the first such lexical work for speakers of English was compiled by schoolmaster Robert Cawdrey as A Table Alphabeticall in 1604. Although certain grammatical treatises were published in Shakespeare's day, organized grammar texts would not appear until the 1700s. Shakespeare as a youth would have no more systematically studied his own language than any educated man of the period.
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Shakespeare may have been the giant, but there were others who were noteworthy. Moreover, some would claim that the Bard was a fraud and the works were done by someone else. Who could that be? There are many candidates that have been advanced.
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The sonnets of Shakespeare possess a peculiar interest, not only from their intrinsic beauty, but ... from the fact that they contain allusions to the personal feelings of their author -- allusions pointing to some deep disappointment. They were first printed in 1609, though, from references found in contemporary writings, it is clear that many of them had been composed previously. They are one hundred and fifty-four in number. Some of them are evidently addressed to a man, while others are as plainly intended for a woman. Through all of them there flows a current of sadness, discontent, and wounded affection. Had his dramatic works been unwritten, these sonnets, together with his early amatory poems, would have given him rank among the most brilliant poets of his age; but the superior glory of his dramas overshadows the minor works.
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Shakespeare produced most of his known work between 1590 and 1613. His early plays were mainly comedies and histories, genres he raised to the peak of sophistication and artistry by the end of the sixteenth century. Next he wrote mainly tragedies until about 1608, including Hamlet, King Lear, and Macbeth, considered some of the finest examples in the English language. In his last phase, he wrote tragicomedies and collaborated with other playwrights. Many of his plays were published in editions of varying quality and accuracy during his lifetime, and in 1623, two of his former theatrical colleagues published the First Folio, a collected edition of his dramatic works that included all but two of the plays now recognised as Shakespeare's.
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Despite this, Shakespeare is credited by the Oxford English Dictionary with the introduction of nearly 3,000 words into the language. His vocabulary, as culled from his works, numbers upward of 17,000 words (quadruple that of an average, well-educated conversationalist in the language). In the words of Louis Marder, "Shakespeare was so facile in employing words that he was able to use over 7,000 of themmore than occur in the whole King James version of the Bibleonly once and never again."
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Shakespeare displays such stores of knowledge, such powers of discrimination, such resources of wit, such pathos, such exhaustlessness of language, such scope of imagination, as can be found in no other English poet. Moreover, he seems to have been a symmetrical man. The fact that, working in a defamed profession, he commanded respect; the fact that, being the most eminent of poets, he was at the same time successful in practical affairs; and the fact that, out of the resources of his mind, he has drawn every phase of humanity, indicate his own completeness and balance of character.
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