LYCOS RETRIEVER 
Rudy Ray Moore: Movie Guide
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In this slapstick blaxploitation feature, Petey Wheatstraw (Rudy Ray Moore, aka "Mr. Dolomite") is a candidate to become the devil's son-in-law. The storyline is a scaffolding on which Rudy Ray Moore's standup humor can be unfolded. Beginning life as the afterbirth to a watermelon, the young Wheatstraw becomes a martial artist, but is unable to best the evil comedy team of Leroy and Skillet, who ... indulge in wholesale murder. Satan restores the comedians' victims to life, and charges Petey with the task of marrying his clock-stoppingly ugly daughter to giving him a grandchild. When Petey attempts to default on the deal, he is pursued by the devil's henchmen. ~ Clarke Fountain, All Movie Guide
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Rudy Ray Moore tells all as only he can in this all-new retrospective of his fine, fine super-fine career. From is humble post-war beginnings as turbaned adagio dancer comedian and singer Prince Dumar to his crowning as “King of the Party Records,” Rudy Ray guides us through his struggles with the music industry establishment and his efforts to press and promote his own records when nobody else would.
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It's an out-of-sight party compilation featuring action hero and original rapmaster Rudy Ray Moore. Featured on this video are outrageous clips from Rudy's rowdy movies and interviews with performers like Ice-T, Snoop Doggy Dogg, Arsenio Hall and others. Special edition includes new, unseen concert footage, as well as interviews with John Landis, Robert Townsend, and more. Standard; Soundtrack: English Dolby; radio spots; trivia; trailer.
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Moore makes a cameo in the film VAMPIRE ASSASSIN as well as a micro-cameo in the fan film DRUNKEN DEAD GUY. Check them out. In other film releated news, Moore has agreed to shoot a cameo appearance sometime in early 2006 for the film FAT CATS. The movie looks cool as hell, so check out the site. The film will ... be absolutely loaded with other cool celebrity cameos. More news on this one next year.
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Disco Godfather could very well qualify Rudy Ray Moore as the Ed Wood of the 1970s. It is a movie so bad - badly filmed, badly acted, and badly edited - that it reaches a Platonic ideal of badness, which of course turns the film into some kind of twisted masterpiece of cheese cinema.
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The excerpts of Moore's films seen in the documentary should make instant fans out of viewers. If India's Bollywood rates credit for being a masala of action, music and comedy, Moore and his regular director, Cliff Roquemore, similarly deserve some kind of nod for their everything-but-the-kitchen-sink approach to moviemaking.
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