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Robert Aldrich: Director Robert Aldrich
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Robert Aldrich ( August 9 , 1918 – December 5 , 1983 ) was a United States film director , writer and producer notable for a number of films including What Ever Happened to Baby Jane? , Hush, Hush, Sweet Charlotte , and The Dirty Dozen .
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Jean Peters's performance in Apache, according to director Robert Aldrich, is even more outstanding because she had a personal dislike of Lancaster as a person and had to show complete devotion towards him throughout the entire film. Despite this fact, the two actors had some sort of chemestry in their scenes together that comes accross on the screen.
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After pleasing audiences with The Longest Yard, director Robert Aldrich made one for himself. Considered an auteur in France, Aldrich used his clout to make this European-edged film, a grim, yet fascinatingly sleazy look at corruption in the justice system, and even cast Catherine Deneuve in the bargain. The gamble did not pay off; everyone hated Hustle and it failed. Thirty years on... its integrity and patience look positively masterful. Burt Reynolds turns in another great performance as Lt. Phil Gaines, a hardened cop who sleeps regularly with a high-priced hooker (Deneuve). When a dead girl washes up on the beach, the police treat the case with a cavalier disregard because her father is a "nobody."
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An artistic maverick whose reputation in the United States did not match his prestige in Europe, Robert Aldrich directed some of Hollywood's more intense examinations of violence, morality, and survival during the 1950s and '60s. Striving for autonomy throughout his career, Aldrich's efforts to maintain his own production company and creative independence were in concert with the New Hollywood's late '60s/early '70s freedom, but his career succumbed to changing tastes and practices by the 1980s. Scion of a prominent New England family, Aldrich played football and studied economics at the University of Virginia. Rather than enter the family businesses... Aldrich preferred movies. Securing a job at RKO through connections, Aldrich headed to Hollywood in 1941. Benefiting from the shortage of manpower (and an old injury) with the advent of WWII, Aldrich was quickly promoted to assistant director and production manager.
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Robert Aldrich was born into an extremely wealthy family. He became an assistant director in Hollywood, working in the 1945 - 1952 period with many directors. A notably high percentage of these were in the extreme left: Jean Renoir, Lewis Milestone, Robert Rossen, Joseph Losey, Charles Chaplin.
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Never one to practice restraint, director Robert Aldrich paints a sometimes overwhelmingly disturbing portrait of America in Hustle. Aldrich's work is undeniably powerful and his ability to vividly paint a world of unstoppable moral corrosion is impossible to dismiss. At the same time, the director's obsessiveness is uncomfortable and, at times, he simply tries too hard. There's not enough substance in the basically noir-ish screenplay to handle all that Aldrich imposes upon it. As a result, some viewers may find themselves saying "enough" before the film reaches its end, but there are ... many who will find the director's "total immersion" approach richly rewarding. Burt Reynolds turns in a surprisingly interesting performance, adopting a world-weary approach that still maintains its vitality. He is, unfortunately, not well matched by Catherine Deneuve, who is stunning to look at but rather too mechanical.
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Director Robert Aldrich