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Rex Ingram: Great Problem
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Ingram was the supreme pictorialist of the screen, a great director of actors, a perfectionist whose influence was felt not least in the films of David Lean and Michael Powell. The themes of his films ranged over many locations but his careful research gave them a realism and authenticity that balanced the essential romanticism of his work.
In April 1949, Ingram was arrested and accused of violating the Mann Act -- specifically, transporting a teenage Kansas girl to New York for "immoral purposes." He pleaded guilty in May and his screen career was crippled for the next six years. He did appear in an episode of Ramar of the Jungle, a series with which he would never have been associated in better times, and, in 1955, he did The Emperor Jones on the small screen as part of Kraft Television Theatre. He returned to movies that same year in Tarzan's Hidden Jungle, the kind of film in which he'd started 25 years earlier. There were some good roles in better productions such as God's Little Acre, Anna Lucasta (in which he starred), Elmer Gantry, and even Your Cheatin' Heart, but his days as an onscreen leading man were behind him. He got some great opportunities on-stage... most notably in Herbert Berghof's 1957 production of Waiting for Godot, which also starred Earl Hyman, Mantan Moreland, and Geoffrey Holder.
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Two original oil paintings done by the silent screen leading lady and wife of the great director and artist Rex Ingram. The first is a portrait of Rex in the early 1930s. There are no other from life portraits of him known to exist. The second is friend and co star Rosita Garcia, who starred with Ingram in his last film "BAROUD," 1931. The artist is pictured in the center.
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