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Raphael: Painters
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Raphael was the son of Giovanni Santi and Magia di Battista Ciarla; his mother died in 1491. His father was, according to the 16th-century artist and biographer Giorgio Vasari, a painter "of no great merit." He was... a man of culture who was in constant contact with the advanced artistic ideas current at the court of Urbino. He gave his son his first instruction in painting, and, before his death in 1494, when Raphael was 11, he had introduced the boy to humanistic philosophy at the court.
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Having seen the engravings of Albert Durer, Raphael was anxious to show what he could do in that art, and caused Marco Antonio of Bologna to study the method. He succeeded so well that he had his first things engraved: the Innocents, a Last Supper, a Neptune, the St. Cecilia 37 boiled in oil. Marco Antonio then did a number of prints which Raphael afterwards gave to Baviera, his boy, who had the charge of one of hid mistresses whom Raphael loved until his death He made a beautiful life-like portrait of her which is now in Florence in the possession of the most noble Botti, a Florentine merchant, the friend and intimate of all distinguished men, especially painters He keeps it as a reminder of his love for art and especially of Raphael. His brother Simone Botti is not behind him in his love of art, and besides his reputation among artists as one of the best patrons of their profession, he is especially esteemed by me as the best friend I have ever had, while he possesses a good artistic judgment.
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Raphael was born in Urbino, in the region of Umbria, Italy. He was the son of Giovanni Santi (d. 1494), who was ... a painter, and Magia di Battista Ciarla (d. 1491). Giovanni Santi was Raphael's first teacher, but he died when Raphael was only eleven.
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Raphael was known as the genius of high Renaissance painters. He was the greatest designer of the Renaissance. Raphael influenced painters up to the 1900's. He made people think of personality when they looked at his paintings. Raphael put realistic emotions on to paintings. He changed the way people look at art.
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Raphael was called to Rome toward the end of 1508 by Pope Julius II at the suggestion of the architect Donato Bramante. At this time Raphael was little known in Rome, but the young man soon made a deep impression on the volatile Julius and the papal court, and his authority as a master grew day by day. Raphael was endowed with a handsome appearance and great personal charm in addition to his prodigious artistic talents, and he eventually became so popular that he was called "the prince of painters."
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