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Prometheus: Prometheus Unbound
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The brig on Prometheus was a small, unadorned room not dissimilar to the ship's storage compartments; it contained a surveillance camera through which the prisoners could be observed. (SG1: "Prometheus Unbound") Though apparently designed for only a single occupant, it has been used to hold up to four people, indicating there may be only one such room on the ship.
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The Prometheus Bound stands midway between Prometheus the Fire-giver and Prometheus Unbound. In grandeur of conception and imagery it has never been surpassed, not even in the works of Shakespeare, for here is the very essence of tragedy, her inmost spirit revealed in its sternest mood, in all its prostrating and annihilating force. The subject of the first play is the transgression of Prometheus, who brings fire to mankind, whereby they become no better, and confers on them other benefits, as he himself relates to the chorus when bound to the rocks. From love of mortals he roused their reason; he taught them to make dwellings, showed them the stars, the use of number and writing--mother of the Muses. He tamed horses and built ships, taught the virtues of healing potions, the various modes of divination, and how to turn to account things dug out of the earth. He it was who taught mortals all they know.
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Percy Bysshe Shelley's Prometheus Unbound rewrites the lost play of Aeschylus so that Prometheus does not submit to Zeus (Shelley's Jupiter), but supplants him instead in a triumph of the human heart and intellect over tyrannical religion. Lord Byron's poem "Prometheus" ... portrays the titan as unrepentant. For the Romantics, Prometheus was the rebel who resisted all forms of institutional tyranny epitomized by Zeus -- church, monarch, and patriarch. They drew comparisons between Prometheus and the spirit of the French Revolution, Christ, Milton's Satan, and the divinely inspired poet or artist.
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Prometheus Unbound