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Popular Culture
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Popular Culture (Germany) Serious study of popular culture is usually concerned more with long-term trends than with sudden convulsions. But the impact of the short-lived upheavals of 1848-49 deserves attention because this brief period of unprecedented legal and political permissiveness revealed some of the tensions in mid-century German society that were normally concealed under a blanket of official repression. One striking feature of the revolutionary years was the obvious upsurge for spontaneous association. Large open gatherings (
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Images of the natural environment have been prominent in American popular culture since the ecology movement of the 1970s and 1980s. Music and art focusing on human interaction with the environment became popular beginning in the 1960s. Some popular early images of pollution that are now rooted into popular culture:
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Popular culture has multiple origins. A principal source is the set of industries that make profit by inventing and promulgating cultural material. These include the popular music, film, television, radio, video game, and bookand comic book publishingindustries.
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Since early modern popular culture was primarily oral or performance-oriented, the paucity of documentary evidence of practices and beliefs has proven a difficult obstacle. The so-called superstitions and fleeting theatrics of everyday custom and ritual were seldom regarded as worthy of attention. Initially, much of the pioneering work in early modern popular culture involved the identification of useful sources to document a largely undocumented historical phenomenon. Gradually... certain types of evidence have been exploited with great success, and a standard repertoire of sources and methods has evolved. Current scholarship still benefits greatly from the work of folklorists and anthropologists. National and regional folklore collections and dictionaries of dialect from the early nineteenth century regularly provide valuable insights.
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Popular culture has multiple origins. In conditions of modernity the set of industries that make profit by inventing and promulgating cultural material have become a principal source. These industries include those of:
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It was this excitement which was the pinnacle of the local element of Grunge's emergence as mainstream popular culture. Along with the excitement of a self produced local live scene came the local entrepreneurs. Small, independent record companies sprung up sealing deals with friends on a handshake to produce a vinyl record of the six months they may have been together. Fanzines were the other great explosion of subcultural access, as those who couldn't play in bands showed their allegiance to their chosen favourites by producing cheap, enthusiastic magazines which helped glue the scene together.
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