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Pop Art: Pop Art Movement
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Pop Art: A Critical History chronicles one of the most controversial art movements of the century. The anthology draws from a great range of sources, from the leading art magazines and art historical journals to newspapers and news magazines such as the New York Times, Life, and Newsweek. What emerges from this rich cross-section of critical and journalistic commentary is a fascinating view of the tumultuous rise of Pop art and its establishment as a major force in contemporary art. A broad selection of articles traces the emergence of the movement itself in England and America, as seen through the eyes of the working critics of the day. The focus then narrows to present in-depth writings on the four major Pop artists: Roy Lichtenstein, Claes Oldenburg, James Rosenquist, and Andy Warhol, along with an examination of many other artists involved in the movement. From reviews of the very first shows of many of these artists to interviews with them, to news stories about their collectors and their lifestyles, Pop Art: A Critical History [R]epresents the most complete and coherent record of Pop art yet published.
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Pop Art uses commonplace objects that have a powerful effect on the culture (such as comic strips, soup cans, road signs, television ads, hamburgers, etc.) as its subject matter. Leading Pop artists include Robert Rauschenberg, Andy Warhol, and Roy Lichtenstein. The Pop Art movement was largely a British and American cultural phenomenon of the late 1950s and 1960s. The term appeared in 1958. Pop Art often uses the precise commercial techniques from which the iconography itself is borrowed.
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The Pop Art movement epitomizes the consumerism of the latter half of the 20th Century. The movements name, coined by English critic Lawrence Alloway, referred to the movements obsession with and depiction of popular culture. Regarded as a reaction to the "subject-less" works of Abstract Expressionism, Pop Art used common everyday objects and commercial imagery and iconography as subject matter, and rejected any distinction between good and bad taste.
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Andrew Warhola (1928-1987), known as Andy Warhol, is the most influential artist in the Pop Art movement of the 20th century. He was born in Pittsburgh, Pennsylvania, from a Catholic family of emigrants, and studied commercial art at the School of Fine Arts in Pittsburgh University. After graduating in 1949, he moved to New York to work as commercial illustrator, but became famous as a painter, author, and producer. Thanks to Warhol, advertising and cinema moved into art. In the 1960s Warhol reproduced popular American products and movie stars such as Campbell Soup, Coca-Cola, and Marilyn Monroe. His studio in New York was a mecca for most writers, musicians and movie celebrities.
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Primarily associated with American artists in the 1960s, Pop art as a formal movement actually began in Britain in the mid 1950s. It was so-called for its reliance on ‘pop’ular culture for its imagery. The fields of advertising, film, newsprint, and current events all served as rich sources for the Pop artist.
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Pop Art developed primarily in the United States and Britain. In the US, it was linked to the wealth and prosperity of the post World War II era, and artists of the movement responded to the nation's consumer society. Pop Art in Britain was less brash, and had a more nostalgic flavor.
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Pop Art Movement