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Picasso
built 818 days ago
The Museu Picasso in Barcelona is in three buildings on the Carrer Montcada: the Baroque Meca, medieval Berenguer d’Aguilar, and Baró de Castellet and was opened in 1963 through donations by Picasso and his friends. The museum has 3,600 pieces in its permanent collection divided into three sections: paintings and drawings, engravings and ceramics. Admission is about $7 and it is open Tuesdays to Sundays from 10 AM to
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Most of Picasso´s colourist works were painted from 1960 in Nòtre-Dame-de-Vie, where he settled down. As shown in this picture with ridiculous faces, he had the skill of transmitting the painting´s main character´s feelings. It could possibly be the interpretation of a period of his private life, with characters - painter and model - and situations of his own setting.
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As Picasso's numerous biographers - and the artist himself - have confirmed, sex and the women in his life had an enormous influence on his work. Indeed, the painter's rapid and often dramatic changes of style are frequently attributed to the presence of a new love interest, the waning of an old one, or both. While the autobiographical character of Picasso's erotic art is undeniable, such subjects ... served as a means of exploring - and challenging - the very nature of art and its role in society.
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Picasso has altered standard sedans to include everything from fax machines to comfort and convenience items yet to arrive in Detroit, Tokyo, and Stuttgart. From six inches to seventy inches; from a Cadillac, Lincoln Town Car to a Mercedes-Benz; from four passengers to six passengers; Picasso is waiting to build one for you.
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Picasso moved to Paris in 1904 and settled in the artist quarter Bateau-Lavoir, where he lived among bohemian poets and writers such as Guillaume Apollinaire (1880–1918) and Max Jacob (1876–1944). In At the Lapin Agile (1992.391) from 1905, Picasso directs his attention toward more pleasant themes such as carnival performers, harlequins, and clowns. In this painting, he uses his own image for the harlequin figure and abandons the daunting blues in favor of vivid hues, red for example, to celebrate the lives of circus performers (categorically labeled his Rose Period). In Paris, he found dedicated patrons in American siblings Gertrude (1874–1946) and Leo (1872–1947) Stein, whose Saturday evening salons in their home at 27, rue des Fleurus was an incubator for modern artistic and intellectual thought. At the Steins he met other artists living and working in the city—generally referred to as the "School of Paris"—such as Henri Matisse (1869–1954). Painted in 1906, Gertrude Stein (47.106) records Picasso's early stylistic experiments with primitivism influenced by a new fascination with pre-Roman Iberian sculpture and African and Oceanic art.
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In terms of space, Picasso's work between 1900 and 1905 was generally flat, emphasizing the two-dimensional character of the painting surface. Late in 1905... he became increasingly interested in pictorial volume. This interest seems to have been stimulated by the late paintings of Cézanne, ten of which were shown in the 1905 Salon d'Automne. In Picasso's Boy Leading a Horse (1905) and Woman with Loaves (1906) the figures are vigorously modeled, giving a strong impression of their weight and three-dimensionality. The same interest pervades the famous Portrait of Gertrude Stein (1906), particularly in the massive body of the figure. But the face of the sitter reveals still another new interest: its mask-like abstraction was inspired by Iberian sculpture, an exhibition of which Picasso had seen at the Louvre in the spring of 1906.
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