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Olivia De Havilland
built 657 days ago
When the two-year court battle was finally over, Olivia emerged as the winner. But Miss de Havilland’s victory didn’t just signify a great win for her; it was deemed a significant victory for all performers. Not only did the courts declare that Olivia did not have to make up her suspension time, they ... declared that all contracts with performers had to be limited to seven years which would include any suspensions issued by the studio. This soon became known as the ‘De Havilland Law’ and marked the end of studios treating their performers as mere chattel.
Synopsis: Olivia De Havilland plays a middle-aged woman who has recently been released from a mental institution after suffering a breakdown. She insists one evening that she can hear the muffled scream of a woman emanating from beneath the ground. Since no one else can hear these screams, De Havilland isRead More
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Initially, de Havilland concentrated on single and two-seat biplanes, essentially continuing the DH line of aircraft built by Airco, but powered by de Havilland's own Gipsy engines. These included the Gipsy and Tiger Moths. These aircraft set many aviation records, many piloted by de Havilland himself. Amy Johnson flew solo from England to Australia in a Gipsy Moth in 1930, the flight taking 19.5 days.
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De Havilland had relationships with John Huston, James Stewart and Howard Hughes in the early 1940s. She married novelist Marcus Goodrich in 1946 but they divorced in 1953. They had a son, Benjamin, who died of complications from Hodgkin's lymphoma in 1991.
Synopsis: Based on a true event from 16th century Spain, this costume drama follows the tragic life of Ana de Mendoza, Princess of Eboli, (Olivia de Havilland) who is secretly loved by her good friend the King. Unfortunately for the monarch, she marries one of his ministers and bears his son. Her husbandRead More
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A little more than a year ago, Olivia de Havilland made rare public appearances to help promote Gone with the Wind's 65th-anniversary DVD release. Little did she know she was on the vanguard of what today is increasingly common: stars and directors promoting their DVDs with the same fervor that once was limited to theatrical openings.
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