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Norman England: Norman Conquest
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Even before the Norman Conquest of England, the Normans had come into contact with Wales. Edward the Confessor had set up the aforementioned Ralph as earl of Hereford and charged him with defending the Marches and warring with the Welsh. In these original ventures, the Normans failed to make any headway into Wales.
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Following the Battle of Hastings , the invading Normans and their descendants formed a distinct population in England. To all outward appearance the Norman Conquest of England was an event of an altogether different character from the Danish conquest. The former was a conquest by a people whose tongue and institutions were still palpably akin to those of the English. The latter was a conquest by a people whose tongue and institutions were palpably different from those of the English.
The Architecture of Norman England This important addition to the literature by Eric Fernie, a recognized authority on the subject, is the first overall study of the architecture of Norman England since Sir Alfred Clapham's English Romanesque Architecture after the Conquest (1934). Containing powerful new ideas which will affect the way in which we look at and analyse these buildings, it discusses and puts into context castles, halls, cathedrals, abbeys, collegiate churches, monastic buildings, parish churches, and palace chapels, and provides a guide to the parts of the buildings, such as apses, passages, vaults, and galleries, as well as an account of the processes by which the buildings were planned and built.
This is an important new interpretation of the development of land law in England during the century after the Norman Conquest. Norman society was based on land and lordship, and the relative power of lord and vassal was crucial to the control of the land.
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A detail of the famous 'Bayeux Tapestry' [held by the Museum of Bayeux, France] which depicts the Norman conquest of England. The work was comisioned by the duchess Matilda for her uncle, Odo, bishop of Bayeux. Contrary to legend, Matilda [William the Conqueror's wife] did not work on making the tapestry, which was likely made in England.
The Aristocracy of Norman England Book Description: This book provides the first rounded account of the new and highly influential ruling elite of England in the century after the Norman conquest of 1066, in which the old English aristocracy was swept aside. It focuses on four main themes: land (the transfer of land to the aristocracy, and the organization of the great estates), power (the nature of power and its vitality), politics (the aims and strategies of the nobles), and society (kinship, the role of women, and piety).
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