LYCOS RETRIEVER
Monk: Music
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When Thelonious Monk was four his family moved to new York, which was his home until he retired. In the early 1940s he worked as a sideman in jazz groups and became house pianist at Minton's Playhouse in Harlem. Here he encouraged the young jazz pianist Bud Powell and was first recorded in 1941, when Charlie Christian was making a guest appearance. In these and similar performances with visiting musicians, such as Don Byas, Roy Eldridge, and Helen Humes, Monk helped to formulate the emerging bop style.
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Despite his contribution to the early development of modern jazz, Monk remained fairly marginal during the 1940s and early 1950s. Besides occasional gigs with bands led by Kenny Clarke, Lucky Millinder, Kermit Scott, and Skippy Williams, in 1944 tenor saxophonist Coleman Hawkins was the first to hire Monk for a lengthy engagement and the first to record with him. Most critics and many musicians were initially hostile to Monks sound. Blue Note, then a small record label, was the first to sign him to a contract. Thus, by the time he went into the studio to lead his first recording session in 1947, he was already thirty years old and a veteran of the jazz scene for nearly half of his life. But he knew the scene and during the initial two years with Blue Note had hired musicians whom he believed could deliver.
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In 1944 Monk made his first studio recordings with the Coleman Hawkins Quartet. Hawkins was among the first prominent jazz musicians to promote Monk, and Monk later returned the favor by inviting Hawkins to join him on the 1957 session with John Coltrane. Monk made his first recordings as leader for Blue Note in 1947 (later anthologised on Genius of Modern Music, Vol. 1) which showcased his talents as a composer of original melodies for improvisation. Monk married Nellie Smith the same year, and in 1949 the couple had a son, T.S. Monk, who later became a jazz drummer. A daughter, Barbara (affectionately known as Boo-Boo), was born in 1953.
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Tony Shalhoub reprises the role that helped garner him an Emmy -- that of Monk, an obsessive-compulsive, San Francisco-based detective who must fight his own demons at every turn even as he goes about solving the toughest cases in the city. This season, Monk ventures beyond his comfort zone to New York City to find clues to an especially perplexing crime; digs deep into the seamy underbelly of the music world; encounters a blackout; and more.
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By 1961, Monk had established a more or less permanent quartet consisting of Charlie Rouse on tenor saxophone, John Ore (later Butch Warren and then Larry Gales) on bass, and Frankie Dunlop (later Ben Riley) on drums. He performed with his own big band at Lincoln Center (1963), and at the Monterey Jazz Festival, and the quartet toured Europe in 1961 and Japan in 1963. In 1962, Monk had ... signed with Columbia records, one of the biggest labels in the world, and in February of 1964 he became the third jazz musician in history to grace the cover of Time Magazine.
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In 1968 Ms. Monk founded The House, a company dedicated to an interdisciplinary approach to performance. In 1978 she formed Meredith Monk & Vocal Ensemble to expand her musical textures and forms. She has made more than a dozen recordings, most of which are on the ECM New Series label. Her music has been performed by numerous soloists and groups including The Chorus of the San Francisco Symphony, Musica Sacra, The Pacific Mozart Ensemble, Double Edge, Björk, and Bang On A Can All-Stars, among others.
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