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Modernism: New York
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The crusading nature of Modernism generated many exhibitions and countless books, journals, posters and advertisements. In both design and content, these argued the case for the ‘New’, often with a generational and political bias against the old.
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The self-criticism of Modernism grows out of, but is not the same thing as, the criticism of the Enlightenment. The Enlightenment criticized from the outside, the way criticism in its accepted sense does; Modernism criticizes from the inside, through the procedures themselves of that which is being criticized. It seems natural that this new kind of criticism should have appeared first in philosophy, which is critical by definition, but as the 18th century wore on, it entered many other fields. A more rational justification had begun to be demanded of every formal social activity, and Kantian self-criticism, which had arisen in philosophy in answer to this demand in the first place, was called on eventually to meet and interpret it in areas that lay far from philosophy.
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In the nineteenth century the phenomenon of Modernism insisted that change is itself a way of life, to which human beings must adapt themselves. There are no truths as such, merely ideas which seem true in particular historical contexts. Everything new is automatically assumed to be superior to the old.
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