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Michelangelo Buonarroti
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It is no exaggeration to say that Michelangelo Buonarroti (1475-1564) was a complicated human being. The man and the myth that grew around him-even in his own lifetime-are difficult to disentangle. Arrogant with others and constantly dissatisfied with himself, he nonetheless penned tender poetry. In spite of his legendary impatience and indifference to food and drink, he committed himself to tasks that required years of sustained attention, creating some of the most beautiful human figures ever imagined.
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Michelangelo Buonarroti (March 6, 1475 - February 18, 1564) was a Renaissance painter, sculptor, poet and architect. He is famous for creating the fresco ceiling of the Sistine Chapel, one of the most stupendous works in all of Western art, as well as the Last Judgment over the altar, and "The Martyrdom of St. Peter" and "The Conversion of St. Paul" in the Vatican's Capella Paolina; among his many sculptures are those of the Pieta and David, again, sublime masterpieces of their field, as well as the Virgin, Bacchus, Moses, Rachel, Leah, and members of the Medici family (see article for more information on them); he ... designed the dome of St. Peter's Basilica. A Basilica is a large cathedral.
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Michelangelo Buonarroti, born in the sixteenth century, was perhaps one of the greatest artisans of all time. He was an accomplished artist, sculptor, architect, and poet who demonstrated his great skill with the creation of many astounding works. Michelangelo's artwork consisted of paintings and sculptures that showed humanity in its natural state. He is remembered today as the man who had sculpted the "David" and the "Pieta", which are two of the most stunning sculptures to come out of the Renaissance period. Although sculpting was the love of his life, his paintings of the ceiling of the Sistine Chapel, and "The Last Judgement" are considered by many his best masterpieces. Michelangelo's artistic career can be divided into two periods.
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Michelangelo Buonarroti (1474-1564) contended that his destiny was sealed when he was suckled by a wet nurse who was the daughter of a stonemason. His David, Pieta and Sistine Chapel frescoes brought him renown by his 30s, but the biographer's problem is that he lived into his 90th year. What does one do with the rest of his life? Bull (Inside the Vatican), foreign news editor of the London Financial Times, handles the question as a thorough scholar of Italian art and politics
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Michelangelo Buonarroti was born on March 6, 1475, in the small town of Caprese, which is tucked into a fold of the Apennine mountains in rural Tuscany. His father, Ludovico Buonarroti, was a minor Florentine official and the local governor (podestà,) of the small towns of Caprese and nearby Chiusi. After his six-month term of office, Ludovico moved the family back to Florence, where they owned a good-size farm in the little village of Settignano overlooking Florence. Here, and in the surrounding hills pock-marked with quarries, Michelangelo grew up and was first exposed to stone carving. Appropriately for a son whose family had noble pretensions, Michelangelo attended latin school. But as so often happens, the boy's aspirations were different from those of his father.
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Michelangelo Buonarroti was born to a family of very minor nobility in Caprese, Tuscany. From the very outset, his family was ripped apart by his mother’s bad health. Unable to care for her brood, all of the Buonarroti children found themselves living with other families and the siblings were scattered far and wide. Michelangelo was sent to a modest family of stonecutters, a placement that created the unlikely beginnings of a great career. Before he was ten, Michelangelo knew exactly what constituted a good cut of marble as well as knowing how to dress it in preparation for an artist’s chisel. From that small age, he already had a good ‘hands on’ experience of the very material that would come to make him a renaissance superstar.
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Michelangelo Buonarroti