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Judas Iscariot
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One of the most disturbing aspects of Judas Iscariot surrounds his connection to the coming Antichrist. The Word of God paints an indelible link to Judas and the Antichrist. In fact, the connection is so strong that many Bible teachers believe the Antichrist will literally be the reincarnation of Judas.
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Since Judas Iscariot did something so critical and necessary for Jesus' mission, why is he reviled? Why isn't he ... a saint? If Judas loved Jesus as much as the other apostles, wasn't his job much harder than theirs? According to John, Jesus said "Greater love hath no man than this, that a man lay down his life for his friends," but didn't Judas do something very similar by sacrificing himself and his reputation in order to help Jesus fulfill prophecy?
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Judas Iscariot bowed in with the 1993 demo 'Judas Iscariot'. It was to be two years before the follow up 'The Cold Earth Slept Below'. Further sessions ensued with 1996’s 'Thy Dying Light', 'Distant In Solitary Night' and 'An Ancient Starry Sky'. These albums would released out of sequence, 'Distant In Solitary Night' actually being recorded in the Spring of 1996 before 'Of Great Eternity'. Originally 'Thy Dying Light' was to be issued by the Head Not Found label although the album's lyrical content was deemed to be too offensive by the parent label.
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The above statements in Acts 1:25 have led some to teach that the "own place" of Judas Iscariot, the "son of perdition," was the bottomless pit of Revelation. This would answer the question of when did the beast enter the bottomless pit.
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Judas Iscariot was an American black metal band, originally called Heidegger, formed in 1992 as a solo project of Andrew Harris, who performed under the pseudonym Akhenaten (after the Egyptian Pharaoh of the same name). However, with the release of Heaven in Flames (1999), Duane Timlin (aka Cryptic Winter) joined the band as a session drummer. From 1999 to 2000, Akhenaten twice performed live with a line-up featuring members from Nargaroth, Krieg, Absu, and Maniac Butcher.
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Stephen Adly Guirgis is one of the most electrifying playwrights to hit the stage in 20 years, and he may well have a profane, piercing masterpiece somewhere deep inside The Last Days of Judas Iscariot. All it needs is several workshops and a director willing to dig it out. As it stands now, Guirgis has written the theatrical equivalent of a prize student's dog-eared theology syllabus, with marvelous theories scribbled in every margin and not a single fully fleshed-out thought to be found. It is perhaps the most frustrating play in town.
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Judas Iscariot