LYCOS RETRIEVER 
John Abraham
built 641 days ago
According to the grapevine, John Abraham and Neil Nitin Mukesh have bagged a Yash Raj film. Set to be directed by Kabir Khan, of Kabul Express fame, it is currently in the scripting stage.
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John Abraham made his film debut in 2003 with the controversial film Jism. The film did well, and his work was noticed widely. [3] Later the same year came the paranormal Saaya (2003) and the romantic Paap (2004); none of them did well at box-office. John's first blockbuster hit came with the movie Dhoom in 2004 where he played the role of the villain 'Kabir'. [4]
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John is keenly aware of the need to take advantage of the media, lobby groups, umbrella organizations, and personal contacts, both to forward the campaign and insulate it from attack. He provokes the attention of newspapers and television, prepares publications, communicates with others working on land reforms and seeks to strengthen local groups by building up district and regional support bodies. At the state level, he meets with persons and groups that can pressure the government and make it realize the extent and seriousness of the campaign. He ... presents the case personally to numerous government officials. At the national level, he is in contact with land rights campaigners, political activists, and Ashoka Fellows throughout the country. The initial writ to the Bombay High Court, for instance, was filed with assistance of Ashoka Fellow Colin Gonsalves's Socio-Legal Information Center.
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At FTII, Pune, John studied under Ritwik Ghatak and is considered as the true follower of Ghatak. He assisted Mani Kaul on Uski Roti before moving to Madras (Chennai) and making his first feature film Vidyarthikale Ithile Ithile (1971). His second film Agraharathil Kazhuthai (1977) was made in Tamil. His third film Cheriyachente Kroora Krithyangal (1979) was made in Malayalam in the backdrops of Kuttanad, John's home place. He constituted the Odessa Collective, aiming at production and exhibition of good cinema with active participation of the general public, without the intervention of market forces. Odessa's first film and John's last Amma Ariyan re-wrote all the conventions of filmmaking.
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John is concerned by how, all across India, and particularly in the state of Maharashtra, laws originally intended to benefit the landless poor are being misused by the government to benefit corrupt landlords and businessmen. Vast amounts of land under government title are lying fallow while people starve. In response, John is establishing a new legal right for impoverished rural groups to own and cultivate unused government land–over which they have had no prior claim–through a coordinated scheme of occupation and farming, political pressure, and legal maneuvering. John's approach working with adivasis (exploited indigenous peoples) is unique among land rights battles in India, in that he has organized people to take over large tracts of government-owned land outside their traditional areas. Whereas other battles are being fought in forest regions that adivasis have inhabited for centuries and the government is now trying to depopulate, John has recognized that the root issue lies in giving people the economic and legal power they need to assert their rights through owning any land, anywhere. From observing scattered adivasi families quietly eking out a living on fallow government land, he has built a campaign of simultaneous overt encroachment, public advocacy, and creative courtroom proceedings.
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John Abraham will probably return to the Jets next season, whether Bradway resigns him long term, or places the franchise tag. John Abraham has only played 4 seasons, so he is pretty young. He has had injury problems, which he was critized for, but other than that he is a great player, especially with a great supporting cast.
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John Abraham