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Jeanne Moreau: La Notte
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Acting, Moreau has said, is not about "play-acting," but is rather "living in front of the camera." She has won numerous Best Actress awards, and been lauded with Lifetime Achievement honors by the European Film Academy and the Venice and Cannes Film Festivals.
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Ms. Moreau took a long drag on her cigarette. "There's a great line in my new film," she said. "The line is, 'I always thought I would die young, but now it's too late.' " Again, she smiled.
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With a foreword by Moreau, lavish illustrations, screenplay, synopsis, and a special section on the making of the film, The Proprietor reveals some of the secrets of the acclaimed Merchant Ivory working method. It ... shows how, despite the rigors of making an important artistic statement today, the final result can live happily ever after.
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Ms. Moreau herself was unfazed. ''It was adorable and funny,'' she said the following day. Indeed, when it was her turn to speak, she drew applause by pointedly thanking Mr. Cardin for his ''good memory.'' She then turned to her prepared text, which dwelt not on her career but rather on how the dreams of a little girl born in Paris on Jan. 23, 1928, led her to the Comedie Francaise exactly 20 years later.
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In the '70s Moreau made a cluster of American movies including Monte Walsh, and The Last Tycoon with Robert De Niro. She turned director with the well received feature films Lumiere and L'Adolescente, and in 1984 she directed a documentary about Lilian Gish.
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Jeanne, en 1970, était cette fois élaboré par Jeanne aux textes et par Duhamel et Datin aux musiques. Truculent, tendre, mais aussi implacablement lucide, il proposait de véritables voyages musicaux, sans jamais que l'exotisme fût de pacotille.
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