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Japanese Poetry
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Some of the important collection of Japanese Poetry include the Man'y?sh?, Kokin-wakashu and Shin-kokin-wakashu. A few important Japanese poets are Yosano Akiko, Masaoka Shiki, Santoka, Takamura Kotaro, Ishikawa Takuboku, Hagiwara Sakutaro, Kenji Miyazawa, Noguchi Yonejiro, Tanikawa Shuntaro and Tomobe Masato.
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Professor Hanami received his Ph.D. in Japanese in 1997 from Stanford University, where he concentrated on medieval Japanese poetry. He teaches advanced Japanese, both modern and classical, as well as Japanese culture through film. His research interests include Late Heian poetics, renga linked poetry, and Japanese film and popular culture. He has a forthcoming article entitled, "Re-Reading Renga: A Consideration of Intention and Its Consequences". He is currently compiling a reference handbook on bungo, literary Japanese, and is ... actively developing methods of Japanese instruction and testing through the Internet.
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Imperial anthologies - Advancing the Imperial waka anthologies, the earliest imperial anthologies gathered Kanshi, the Chinese poetry which Japanese learned from the Tang Dynasty. Three anthologies were edited in the early Heian period.
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When Japanese poets first encountered Chinese poetry, it was at its peak in the Tang Dynasty and Japanese poets were completely fascinated. It took them several hundred years to digest the foreign impact, make it a part of their culture and merge it with their literary tradition in their mother tongue, and begin to develop the diversity of their native poetry. For example, in the Tale of Genji both kinds of poetry are frequently mentioned. (Since much poetry in Japan was written in the Chinese language, it is perhaps more accurate to speak of Japanese-language poetry.)
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To appreciate classical Japanese poetry, one must realize that the Japanese treated poetry as much more than an artistic exercise in self-expression. Poetry was power. It often was composed communally, with one verse crafted extemporaneously in response to another person's verse, and poetic ability was a sine qua non of Japanese court society. Poetry was deeply religious, too, and the Japanese believed that well-constructed verse could literally influence the gods.
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In most Japanese poetry, there is a seasonal referent. It could be a flower, a tree, an animal, or other item which is specifically associated with a certain time of year. For example, a chestnut indicates autumn, a chrysthanthemum indicates winter, a plum indicates spring, and a lily indicates summer.
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Japanese Poetry