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James Cameron: Filmmaker James Cameron
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Whether or not you liked Titanic, James Cameron is a tremendously profitable filmmaker that has beaten the odds before. Titanic was an insanely expensive film that was expected to be one of the greatest celluloid debacles of all time. Instead it went on to be one of the most profitable movies ever made, in defiance of everyone's expectations. Cameron gets the credit for it - you could argue that he saved the studio from ruin.
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Filmmaker James Cameron, who hasn’t had a hit film since Titanic almost a decade ago, is trying to destroy Christianity by claiming that he has found the tomb and coffin of Jesus Christ. He ... claims to have found the coffins of his wife and child. Yes, at it starts to sound a bit like The DaVinci Code at that point.
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Titanic filmmaker James Cameron has developed a similar filming process with Avatar, about a paralyzed human soldier who joins an Earth invasion. Celine Dion looks forward to new sound, new home, new baby.
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Last March, filmmaker James Cameron shook up the 2005 Game Developers Conference in San Francisco. Sitting on an Xbox-sponsored panel discussing the future of entertainment, the Terminator director revealed he was planning an Enter the Matrix-like crossover game to be developed alongside his next movie.
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As an artist and filmmaker, James Cameron is credited on major Hollywood productions in virtually all roles: writer, director, producer, editor, visual effects, actor, art director, and even crew. Cameron wrote and directed such science fiction classics as "Terminator 2: Judgement Day" (1991), "The Abyss" (1989), and "Aliens" (1986). He received an Academy Award for Best Director for 1997's "Titanic," which was ... the largest grossing film in history.
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The phenomenal success of his Academy Award-winning historical epic Titanic has fundamentally changed the way the world views filmmaker James Cameron. Prior to the December 1997 release of Titanic, one of the most expensive Hollywood films and the biggest moneymaker of all time, most people would have agreed with Peter Waal of Saturday Night magazine when he described the Canadian-born movie screenwriter, director, and producer as "an action flick virtuoso." Cameron had earned considerable respect and media attention for an impressive, but relatively small body of work. But it was the commercial appeal of Cameron's films that most endeared him to major studios. At a time when movie formulas were no longer "sure-fire," he continued to enjoy consistent box-office success. Cameron insisted that his secrets were simple: common sense and good storytelling.
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