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Hymns
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Published in mid-sized (8-1/2 x 7) format, Hymns for Multiple Instruments are constructed in three stave systems to make available melody, harmony, obligato, and countermelody lines. These arrangements of well-known hymns are designed to be used for church, school or individual performances indoors or out and can be adapted for band, orchestra, woodwind, choir, brass choir, or string ensemble. As few as three parts will make a viable trio, and trios will sound complete with the melody, obligato, and countermelody with , or without, keyboard instruments.
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Hymns have been a part ofworship since worship began. Although the sound is now sometimes electrified and the beat is rock, hymns continue to be a vital part of the worship experience.
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Hymns are arranged by CBW III number. To go to a section, just click the green button to the left of the heading. The headings are a guide, and show only the main focus of that section. Often there are appropriate hymns elsewhere. See the index of themes in the Choir Edition of the CBW III (702).
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Major funding for production of Honky Tonks, Hymns & the Blues comes from the National Endowment for the Humanities. Additional support from the National Endowment for the Arts, the Texas Council for the Humanities, the Alabama State Council on the Arts, Rounder Records, the Institute of Texan Cultures at the University of Texas - San Antonio. Additional assistance from Texas Public Radio, the National Council for Traditional Arts, the Texas Heritage Music Foundation, and NPR Online.
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This online version of Hymns has been provided to assist you in using Church music more effectively in your home and meetings. You can search for a song by entering a word or phrase in the search box or browse Hymns by selecting an index below.
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"In its origin, the Koran is a Syro-Aramaic liturgical book, with hymns and extracts from Scriptures which might have been used in sacred Christian services. (…) Its socio-political sections, which are not especially related to the original Koran, were added later in Medina. At its beginning, the Koran was not conceived as the foundation of a new religion. It presupposes belief in the Scriptures, and ... functioned merely as an inroad into Arabic society."
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Hymns