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Homer
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Hidden Depths Homer is the man who, according to legend, wrote the two great epics of Greek history: the Iliad (the tale of Achilles and the Trojan War) and the Odyssey (about the travels of Odysseus). Both books are considered landmarks in human literature and Homer is therefore often cited as the starting point of Western literary and historical tradition. The details of Homer's life are a mystery; some scholars believe that no such man ever existed, and that the works credited to him were actually told and gathered by many people over many centuries. Other stories give various birthplaces and ages for Homer and suggest he was a wandering poet or minstrel. Homer is usually said to have been blind, a point on which nearly all the legends agree.
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wpe11.jpg (5186 bytes) The two works which have borne Homer into the realm of literary immortality are The Illiad and The Odyssey. Though Homer wrote many works, these two remain the staples of his literary body. Though the two works are considered masterpieces, and are thought to compliment one another, from the perspective of genre they are as different as night and day. The Odyssey is written in the format of a fantastic novel and catalogs the adventure of Odysseus and his quest to return to his native land of Ithaca after many years of being gone. With its many subplots and dynamic stories, it is a master work of the adventure novel writing, and well worth the great read. In contrast, The Illiad is a work which depicts the ravages of war during the Greek Siege of Troy nearing the end of the Bronze Age period.
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In addition to the particle Homer has another, hardly distinguishable in meaning. The Homeric uses of tip and are different in several respects from the Attic, the general result being that the Homeric syntax is more elastic. And yet it is perfectly definite and precise. Homer uses no constructions loosely or without corresponding differences of meaning. His rules are equally strict with those of the later language, but they are not the same rules. And they differ chiefly in this, that the less common combinations of the earlier period were disused altogether in the later.
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After the introduction of the poem (1-7), Homer tries to create immediate interest by thrusting his audience in medias res, 'into the middle of things'. This Latin phrase is used in literary criticism to refer to the epic poet's practice of beginning his story without an introduction to the main characters and an explanation of the situation which forms the background of the story (i.e., without any exposition). The first action of the poem is a suppliancy, that is, a ritual act, in which the suppliant, while sitting or kneeling, grasps the knees of the person supplicated and touches his chin or kisses his hands (see 1.500-501 and 24.478). This act of self-humiliation was an attempt to forestall any unfavorable reaction on the part of the supplicated. Once the supplication was properly performed, the suppliant was under the protection of Zeus; anyone who rejected a supplication risked the anger of that god. What request does Chryses make of Agamemnon (20)?
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