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Hayao Miyazaki: Toei Animation
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With Nausicaa, Miyazaki created an intricately imagined near-future, while commenting on the topical issue of ecological disaster caused by commercial greed. Representing a bold advance over the simplistic space operas that were then the sci-fi animation mainstream. Nausicaa won a slew of awards and accolades, including the Grand Prize at the Second Japanese Anime Festival and a commendation from the World Wildlife Fund.
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Miyazaki's films have generally been financially successful, and this success has invited comparisons with American animator Walt Disney. However, Miyazaki does not see himself as a person building an animation empire, but as an animator fortunate enough to have been able to make films with complete creative control. In 2006, Time Magazine voted Miyazaki one of the most influential Asians of the past 60 years.[1]
In addition to animation, Miyazaki ... draws manga. His major work was the NausicaƤ manga, an epic tale he worked on intermittently from 1982 to 1984 while he was busy making animated films. Another manga, Hikoutei Jidai, was later evolved into his 1992 film Kurenai no buta (1992).
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Miyazaki left Toei in 1971 for A Pro, where he co-directed six episodes of the first Lupin III series with Isao Takahata. He and Takahata then began pre-production on a Pippi Longstocking series and drew extensive story boards for it. However, after traveling to Sweden to conduct research for the film and meet the original author, Astrid Lindgren, they were denied permission to complete the project, and it was canceled.[2]
Miyazaki has cited a number of influences on his animation over the years. These include manga artist Tezuka Osamu, the French animator Paul Grimault and The Snow Queen - a Soviet film. He is friends with French comic artist, Moebius and America animator, John Lasseter.
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Unlike most Japanese animation, or anime, Miyazaki's work is much slower, quieter and sweeter. Like "Totoro," the 104-minute "Kiki" is long for an animated feature and sometimes feels like it, given its deliberate pacing. But Miyazaki's films contain many charms, as quirky fantasy bumps up gently against slices of average life.
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