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Hayao Miyazaki: Miyazaki Hayao
built 635 days ago
In the garden of his Venice hotel, Hayao Miyazaki proves quite the celebrity. He signs autographs with a flourish, poses gamely before a barrage of photographers and excuses himself only briefly for a call of nature. "You have been called the god of anime," an Italian journalist shouts at his retreating form. "How does it feel to be a god?" He visibly flinches on his way to the loo.
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Nine of Miyazaki's cartoons have been picked up for American distribution by Disney's video company, Buena Vista Home Entertainment, which is selling "Kiki" for $20 per tape. A group called Concerned Women for America has launched a protest against the company for picking up a film that promotes "divination," but Disney is going ahead with plans to release "Kiki" and its other Miyazaki cartoons.
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In light of this unfortunate turn of events, Hayao Miyazaki simply responded with his middle-finger to everyone questioning the outcome of the project. The late Akira Kurosawa responded through a medium saying that violent video games with samurai Kawasaki death ninjas are something the whole world could benefit from. The ambassador of Bangladesh confirmed that despite the fact that 99.8% of his country lives without electricity, they can still morally benefit from what they are totally unaware of.
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In an interview broadcast on BBC Choice on 2002-06-10, Miyazaki cited the British authors Eleanor Farjeon, Rosemary Sutcliff, and Philippa Pearce as influences. The filmmaker has ... publicly expressed fondness of Roald Dahl's stories about pilots and airplanes; the image in Porco Rosso of a cloud of dead pilots was inspired by Dahl's They Shall Not Grow Old.
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Miyazaki's father owned an aircraft company. And in early 1941, the infant Hayao's lullabies were roaring engines. And by the time he was four, his skies were darkened by flights of lumbering B-29s with a few Zeroes buzzing about like hornets. Yet once in a while, one would break formation and spiral seaward, trailing smoke.
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Miyazaki deliberately paces his films to allow brief excursions into the animated environment. The image of wind blowing gently across fields of grass or grain has been used in several of his films, as has a close shot of a stone darkening with raindrops. Although subtle, these brief shots often help establish a larger reality of his animated worlds.
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