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Greek Gods: Mother Earth
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In classic Greek mythology, below Heaven, Earth, and Pontus is Tartarus, or Tartaros (Greek 'deep place'). It is either a deep, gloomy place, a pit or abyss used as a dungeon of torment and suffering that resides within Hades or the entire underworld with Hades being the hellish component. In the Gorgias, Plato (c. 400 BC) wrote that souls were judged after death and those who received punishment were sent to Tartarus. As a place of punishment, it can be considered a hell. The classic Hades, on the other hand, is more similar to Old Testament sheol.
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Siphnian treasury The Greeks believed in many gods: they were polytheistic (PA-lee-thee-ISS-tick). It is impossible to say how many Greek gods there were, because different Greeks worshipped different gods. Certainly there were hundreds. The most famous of them, and the ones which the most people sacrificed to, were Zeus, Hera, Apollo, Artemis, Poseidon, Aphrodite, Athena, Demeter, Hermes, Ares, and Hades. But there were many others: Asclepius, the god of medicine, Persephone, Demeter's daughter, Gaia the earth goddess, Hecate, and so forth.
Amor vincit omnia (Love Conquers All), a depiction of the god of love, Eros. By Michelangelo Merisi da Caravaggio, circa 1601–1602. The first philosophical cosmologists reacted against, or sometimes built upon, popular mythical conceptions that had existed in the Greek world for some time. Some of these popular conceptions can be gleaned from the poetry of Homer and Hesiod. In Homer, the Earth was viewed as a flat disk afloat on the river of Oceanus and overlooked by a hemispherical sky with sun, moon and stars. The Sun (Helios) traversed the heavens as a charioteer and sailed around the Earth in a golden bowl at night. Sun, earth, heaven, rivers, and winds could be addressed in prayers and called to witness oaths. Natural fissures were popularly regarded as entrances to the subterranean house of Hades, home of the dead.[27]
Aphrodite (Roman name: Venus) was the Greek Goddess of love, beauty, and the protector of sailors. The poet Hesiod said that Aphrodite was born from sea-foam which inspired Botticelli's painting of the greek goddess on a scallop shell. Greek philosophy seems to begin with a preposterous fancy, with the proposition that water is the origin and mother-womb of all things. Is it really necessary to stop there and become serious? Yes, and for three reasons: firstly, because the preposition does enunciate something about the origin of things; secondly, because it does so without figure and fable; thirdly and lastly, because it contained, although only in the chrysalis state, the idea :everything is one. That which drove him (Thales) to this generalization was a metaphysical dogma, which had its origin in a mystic intuition and which together with the ever renewed endeavors to express it better, we find in all philosophies- the proposition: everything is one!
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