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George Frideric Handel: Works
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On the 8th of January 1705, Handel's first opera, Almira, was performed at Hamburg with great success, and was followed a few weeks later by another work, entitled Nero. That work is lost, but Almira, with its mixture of Italian and German language and form, remains as a valuable example of the tendencies of the time and of Handel's eclectic methods. It contains many themes used by Handel in well-known later works; but the current statement that the famous aria in Rinaldo, "Lascia ch'io pianga", comes from a saraband in Almira, is based upon nothing more definite than the inevitable resemblance between the simplest possible forms of saraband-rhythm.
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George Frideric glanced over at the organist, reluctant to reveal their secret. Zachow nodded his approval. The boy faced the Duke. "Herr Zachow has worked with me after school and on Saturdays."
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In 1726 Handel's opera Scipio (Scipione) was performed for the first time. The march from this work is now the regimental slow march of the British Grenadier Guards. In the next year he took on British nationality.
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Handel began his own operatic career with Almira (1704), which ran for some 20 performances at the Goosemarket Theater - a very successful run for those days. Nero followed in 1705, then Florindo and Daphne, which owing to its extraordinary length had to be produced as two separate works.
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Composite volume containing manuscript copies of three works by Handel, Dettingen Te Deum, Utrecht Te Deum, and Utrecht Jubilate. Written in unknown hand on a pale blue paper, which is probably to be dated 1807. The 3/4 section of the first chorus of the Dettingen Te Deum has two missing bars at 82-84, a mistake which occurs in all the early printed scores (Walsh, Randall, Wright, etc.) until corrected in the English Handel Society's edition of 1846/7. This suggests that this manuscript may have been copied from the early printed scores. 1 v. (83 leaves).
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This huge assemblage of Handel resource material begins with quotations from composers praising his work. The site is immensely valuable to singers because it provides words to many of Handel's less-circulated arias.
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