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Fred Zinnemann: Director Fred Zinnemann
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Fred Zinnemann ( April 29 , 1907 — March 14 , 1997 ) was a noted film director. He was born to a Jewish family in Vienna , Austria , and died of a heart attack in London , England . While growing up in Austria, he wanted to become a musician, then studied law. He was drawn to films, while studying at the University of Vienna, and eventually became a cameraman. He moved to the U.S. in 1929 and peformed many behind-the-scenes jobs before becoming a movie director. He directed many different film genres including thrillers, westerns, film noir, and play adaptions. Many actors appearing in Zinnemann's films received Academy award nominations for his films including Frank Sinatra, Audrey Hepburn, Glynis Johns, Paul Scofield, Robert Shaw, Wendy Hiller, Jason Robards, Vanessa Redgrave, Jane Fonda, Gary Cooper and Maximilian Schell.
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Fred Zinnemann is an Austrian-born Jew. Based on his autobiographical writing and writing about him, Zinnemann clearly had great respect for religion and spirituality. A large proportion of his films were about overtly religious subject matter. It appears he was a devoted family man with a personally ethical, morally conservative lifestyle. Zinnemann was married to Renee Bartlett (a Catholic) from 1936 until his death in 1997. This was a remarkably stable and long-lasting marriage compared to many of fellow film directors.
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Fred Zinnemann director movies DVDs filmography available to buy at CDUniverse are listed below. Information on films includes: other actor and actress, star cast and crew information, reviews, director, photo of cover art, product pics and more.
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Director Fred Zinnemann insisted on black and white, "color would have made it look trivial" and the film did not use any of the popular new widescreen ratios. Daniel Taradash suggested him to Cohn because he liked the way soldiers were depicted in some of Zinnemann's earlier films. The Search (1947) was filmed on location in the ruins of post-war Germany and starred Montgomery Clift immediately after his debut in Red River. Zinnemann characterized Clift as "exuberant and full of energy, he was an electrifying personality." Two years later, Zinnemann directed The Men, a story about paralyzed WWII veterans starring Marlon Brando, and then made a film about an Italian war bride, Teresa. In 1951 he directed High Noon, with Gary Cooper.
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Director Fred Zinnemann was never known as a great stylist, but his films were never-the-less always artistically composed and carefully paced. Zinnemann was born in Vienna and came to America in 1929. He became an assistant first to the pioneering documentary director Robert Flaherty and then the great film choreographer Busby Berkeley. That's about as wide a variety of experience as one could dream up, and Mr Zinnemann was soon directing "B" films. In 1948 he directed
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In the three periods of his career a European apprenticeship, followed by twenty-five years in Hollywood, and another twenty-five of working around the globe with American financing Zinnemann was a vector connecting Hollywood to the greater world. At the age of twenty, and despite parental disapproval, Zinnemann insisted on his own destiny and set off for Paris to study film. Back in Vienna, he assisted master cameraman Eugen Schüfftan on the independent hit Menschen am Sonntag (1929), collaborating with Billy Wilder, Robert Siodmak and Edgar G. Ulmer. Arriving in New York on the day the stock market crashed, Zinnemann unsuccessfully sought to join the cameraman's local union (despite the sponsorship of Billy Bitzer). Moving to Hollywood, he first toted a rifle as an extra on All Quiet on the Western Front (Lewis Milestone, 1930), then became assistant and translator for another Austrian émigré, director Berthold Viertel, in whose home he met such artists as Sergei Eisenstein, Greta Garbo, F.W. Murnau and Robert Flaherty, the latter two newly returned from Tahiti with Tabu (1930).
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