LYCOS RETRIEVER
Frank Lloyd Wright
built 663 days ago
Frank Lloyd Wright is America’s greatest architect, and Fallingwater is one of the most well-known examples of his work. The house was designed in 1935 for Pittsburgh department store owner Edgar J. Kaufmann. The house is perched atop a waterfall, with dramatic concrete balconies cantilevered over the falls. It is often cited as the quintessential example of organic architecture, where the design of a building arises from and seamlessly blends in with the surrounding landscape. The house includes all of its original furnishings, many of which were ... designed by Frank Lloyd Wright.
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Frank Lloyd Wright was one of the most influental American architects of all time. Eschewing the traditional boxy and dated European style of architecture prevalent in the late 19th and early 20th century, he created his own unique floor plans based off a concept he called "organic architecture." The idea behind organic architecture was that the house was built in harmony with its surroundings. His most well-known style was that of the "Prairie Houses" - which generally had open floor plans and were made of unfinished materials. Built between 1900 and 1917, these houses were long, low-to-the-ground buildings with overhangs and terraces and supressed chimneys. More often than not, Wright would design both the house and the furniture inside it. Born in 1867, Wright died after an extremely long architectural carreer of 72 years in 1959.
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Frank Lloyd Wright died in 1959 at the age of 92. Despite the lulls and even great dips in his career he had continued designing and building for 70 years and at his death he left a thriving practice. Unlike many architects who perhaps are remembered for a distinct decade of work Wright was able to adapt as his architecture moved with the changing requirements of a fast- moving century. He used the newest materials and technologies from poured concrete to under floor heating and was happy to design for all incomes. Yet Wright was not a mainstream modernist – his deep love of nature and sense of place were stronger than his desire for the new. He was ... a romantic who wanted to charge his work with emotional qualities. A house as a home for a family was an almost sacred place with the heat of a fire at its heart.
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The career of Frank Lloyd Wright commenced after only a few months of college course work at the University of Wisconsin, when he apprenticed to Chicago architect, J. Lyman Silsbee. His first buildings, like those of Silsbee, were in the prevailing shingle style of Queen Anne architecture. Soon after, though, he found a position with Adler and Sullivan, one of Chicago's most important architectural firms. Louis Sullivan became for Wright the only other architect he consistently admired, always referring to him as "Lieber Meister." The two formed a design synergy that surpassed the usual employee hierarchy, and where Wright often felt he was "the pen in the master's hand."
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Frank Lloyd Wright was interested in site and community planning throughout his career. His commissions and theories on urban design began as early as 1900 and continued until his death. He has 41 commissions that are of a scale that can be considered community planning or urban design.[14] His thoughts on suburban design started in 1901 with an article in Ladies Home Journal. The article was designed to showcase “New Series of Model Suburban Houses Which Can Be Built as Moderate Cost” Not only did Wright submit a home design he went further and proposed the Quadruple Block Plan as a proposed subdivision layout..[15] This design strayed from traditional suburban lot layouts and set houses on small square blocks of four equal sized lots surrounded on all sides by roads. The houses were set toward the center of the block so that each maximized the yard space and included private space in the center. This ... allowed for far more interesting views from each house.
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Frank Lloyd Wright was born in 1867. Wright grew up in rural Wisconsin, was taught the virtue of hard work, and acquired a love of the landscape. At the age of eighteen he entered the University to study civil engineering and shortly thereafter began his career in architecture. It soon became evident that he was a revolutionary and a nonconformist. He despised what he called the stale, backward looking ideas of his peers who were designing architecture based on the Greek, Roman, Gothic, and Tudor models instead of creating a new, vibrant American landscape. He longed to be freed from the limits of existing material and designs.
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