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Feminist Art: Feminist Art Movement
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The Feminist Art Project is a national initiative celebrating women’s contributions to art and the Feminist Art Movement. Organizations and individuals are invited to participate by listing exhibitions, symposia, publications, courses, and other events or programs on their web national calendar. Many of these events mark historic anniversaries, including the 35th anniversary of the founding of the Women’s Caucus for Art. The project ... supports archival initiatives to assure that women’s contributions to contemporary art are included in the cultural and historical records.
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Feminist perspectives in aesthetics first arose in the 1970s from a combination of political activism in the contemporary art world and critiques of the historical traditions of philosophy and of the arts. They have developed in conjunction with the postmodern debates about culture and society that take place in many fields in the social sciences and humanities. These debates often begin with an assessment of the western philosophical legacy, a legacy that is nowhere more challenged than in the art world itself. Therefore, the significance of many contemporary art movements, including feminist and postfeminist work, is dramatized and clarified by understanding the traditional values and theories that they address and challenge.
Returning from the US in 1990 after completion of her studies, Yan Ming-Huy (1956-) was the first open advocate artist of a feminist movement in the Taiwan art scene. She publicly admitted her mishaps in marriage and used her marriage as the content of her work. Speaking bluntly, she used the connotations in her work to awaken a female/feminist consciousness, which created a tidal wave of interest and controversy in Taiwan art circles at the time. Yan Ming-Huy was born after the death of her father and raised solely by her mother. After graduation from Department of Fine Arts at the National Taiwan Normal University, she accompanied her husband to study in the US in 1979. She worked to support the family and raised a son, while studying.
P.S.1 Contemporary Art Center presents WACK! Art and the Feminist Revolution, the first comprehensive, historical exhibition to examine the international foundations and legacy of feminist art. Organized by MOCA Ahmanson Curatorial Fellow Connie Butler for The Museum of Contemporary Art, Los Angeles, WACK! focuses on the crucial period of the 1970s, during which the majority of feminist activism and artmaking occurred internationally. Praising the exhibition, P.S.1 Contemporary Art Center Director Alanna Heiss notes: "In addition to exploring international occurrences of feminist art, the show emphasizes New York's role in the movement, as well as its relationship with each artist involved. This is a particularly happy coincidence for P.S.1, as Connie Butler, the curator of WACK!
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Although undefined as such, feminist art dates back much further than the Victorian Period. While there is neither time nor space to delve into the details of these early works, it seems important to mention that female issues, such as childbirth, were addressed in art long before any sort of women's liberation movement. It may not have been art created by women, but the female existence was not ignored. Females started getting noticed as artists in the late 18th century, but it wasn't until the Victorian era that progress began. Feminist art in the Victorian Period varies in meaning, but the styles of early sculptresses and painters did not start to take on their own unique forms until later in the movement. In the beginning, the critics and males in the field focused on the women artists more readily than the actual art itself.
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Judy Chicago's 'Dinner Party' "Feminist art is the single most important art movement of the late 20th century," Chicago told Women's eNews. "There are so many young feminist artists as a result of the movement in the 1970s, which introduced the possibility for women artists to work out of their own experiences for the first time."
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