LYCOS RETRIEVER 
Eros (Mythology): Love
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In art, Eros was usually depicted as a nude winged boy or infant, with his bow and arrows in hand. He had two kinds of arrows: one was golden with dove feathers that caused instant love; the other was lead with owl feathers that caused indifference. The poet Sappho described him as "bittersweet" and "cruel" to his victims; he was ... unscrupulous, mischievous and charismatic. In his ancient identification with Protogones and Phanes he was adorned represented as a bull, a serpent, a lion, and with the heads of a ram. He is occasionally shown blind or blindfolded.
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In art, Eros was usually depicted as a nude winged boy or infant (although this is associated more with Cupid from Roman religion; to the Greeks he was a young man or a teenager), with his bow and arrows in hand. He had two kinds of arrows: one was golden with dove feathers that caused instant love; the other was lead with owl feathers that caused indifference. The poet Sappho described him as "bittersweet" and "cruel" to his victims; he was ... unscrupulous, mischievous and charismatic. In his ancient identification with
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In Greek art Eros was depicted as a winged youth, slight but beautiful, often with eyes covered to symbolize the blindness of love. Sometimes he carried a flower, but more commonly the silver bow and arrows, with which he shot darts of desire into the bosoms of gods and men. In Roman legend and art, Eros degenerated into a mischievous child and was often depicted as a baby archer.
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As Eros moves through the sky by transit, progression or even converse progression, it makes aspects back to all the planets and points in the natal chart. Likewise, the rest of the planets by transit will periodically make aspects back to the natal and progressed positions of Eros. Either way, these contacts often coincide with the times when erotic love and creative power issues awakens.
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The term Eros, understood as a life instinct antagonistic to the death instinct, appeared for the first time in Beyond the Pleasure Principle (1920g), where Freud used it to establish a dynamic polarity that would define a new instinctual dualism. Freud wrote, "Our speculations have suggested that Eros operates from the beginning of life and appears as a 'life instinct' in opposition to the 'death instinct' which was brought into being by the coming to life of inorganic substance. These speculations seek to solve the riddle of life by supposing that these two instincts were struggling with each other from the very first" (p. 61). In this essay Freud refers to the doctrine of the Greek physician and philosopher Empedocles of Agrigento (c. 490-430 B.C.E.), for whom the production of all things results from the interplay of two forces, Love and Discord, conceived of as the impersonal forces of attraction and repulsion.
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When Eros is found in the house of skill development, service, health and daily routine, one may have some finely tuned proficiency when it comes to passionate and romantic love. They may see the body as a vessel that provides for the delights and erotic passions of the beloved and be inclined to perfect their ability to give and receive those delights. They may find the merging and transformation an erotic union offers desirable on a daily basis!
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