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Dracula (Work): Blood
built 213 days ago
Dracula (Work) also shows up in the Retriever categories:
Dracula (Orchidaceae) , and more.
DB7's Avatar [T]his is the reason why Dracula keeps haunting the cinema: he'll be anything you desire. In 1974, Paul Morrissey turned him into a New York blood-junkie, in a film backed by Andy Warhol. In 1992, Francis Ford Coppola turned him into a personification of fears about the exchange of bodily fluids - just at the point when Aids was all over the media. Hammer, though, gave him his most successful make-over, as a harbinger of the permissive society, which was already looming on the horizon when Christopher Lee began raiding women's bedrooms.
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Dracula was, therefore, a child of tumult. Before he could walk, before he could talk, he must have sensed the heat of the period, sensed the political rivalries and the subterfuge that were all a part of being a son in a royal family of a Renaissance-era Romania. Cutthroat was its nature. It was a land that knew battle, the discordance of small private armies on the march, the clanking of their breastplates being a daily and customary din. When blood wasn't being spilled over religious cause, it was spread over right of land. Fights were external and internal, and they were continuous.
Mad Magazine has published countless spoofs of Dracula. In one, appearing in the Mad Summer Special 1983, on the inside front cover, a cartoon sequence drawn by Sergio Aragonés shows Dracula attacking a hippie who has taken LSD; Drac staggers away, seeing colorful hallucinations including blood, bats and such.
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