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David Lynch
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David Lynch is no stranger to weird confluences. But the U.S. filmmaker, known for such works as Blue Velvet and Twin Peaks, failed to anticipate the reception his latest project got in Germany this week. Lynch, whose new-age beliefs are sometimes as quirky as his movies, is touring Europe to help establish a network of so-called "invincible universities" to teach the philosophy of transcendental meditation. The idea is to engender world peace. But at a meeting this week at a culture center in Berlin, Lynch triggered a less than peaceful exchange with German onlookers when Emanuel Schiffgens, his partner for establishing such a "university" in the German capital, suddenly veered into dangerous waters.
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David Lynch's earliest interest was art, not film, and his post-high school education was focused in that direction. While attending the Pennsylvania Academy of Fine Art... he "heard a little wind" while working on a painting, and was gripped by a desire to see one of his paintings move. The result of this urge was Six Men Getting Sick (1967): a film projected onto a canvas that had 3-dimensional elements built into it. Upon seeing this work, a wealthy patron commissioned Lynch to create another -- a project that ended up being a wash, but led to the creation of his first proper foray into film, The Alphabet (1968), which in turn led to David's acceptance into The American Film Institute. While at the Institute David created a second short, The Grandmother (1970), but it was his next undertaking that would prove most critical to his future.
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The eldest of three children, David Lynch spent most of his childhood relocating with his entire family; his father Donald was a research scientist for the Department of Agriculture, a job which required frequent, lengthy travels. Consequently, by the time Lynch was two months old, his family moved to Sandpoint, Idaho, followed by a move two years later to Spokane, Washington, during which time his brother John was born. Shortly thereafter, his youngest sibling, his sister Martha, was born. By the time he was fourteen, Lynch was living in Alexandria, Virginia, having lived in Durham, North Carolina, and Boise, Idaho. Whilst many would suggest such a transient history could only have been detrimental to Lynch's social development, he concedes "It's a shock to the system, but shocks to the system are sometimes really good. You get a little bit more aware, suddenly.
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McGowan, Todd"Finding ourselves on a Lost highway: David Lynch's lesson in fantasy." Cinema Journal Vol XXXIX nr 2 (Winter 2000); p 51-73 UC users only "The difficulties of the narrative in David Lynch's film Lost Highway are the result of the type of revelations the film makes about the interrelations between fantasy and desire. One can grasp what is happening in the film if one views the sudden transformation of Fred Madison into Peter Dayton as phantasmic: Peter is Fred within Fred's fantasy. The film reveals the operations of fantasy by separating what narrative usually holds together--desire and fantasy--as the divergent worlds of Fred and Peter are established as worlds of desire and fantasy, respectively. The film makes evident an underlying logic of fantasy that is operative in the filmic experience itself, and because its narrative brings the logic of fantasy into the open, the film necessarily strikes viewers as incongruous--as a film without any narrative at all. Lost Highway refuses the phantasmic illusion of depth that filmic narratives provide, instead comporting viewers toward the void that fantasy obscures."
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David Lynch's first child, Jennifer, was born in April 1968. Since then he has had two more children by two other wome: Austin from his marriage with Jack Fisk's sister, and Riley in 1992 with Mary Sweeney. Peggy and David Lynch lived fairly modestly in 1968.
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David Lynch is disgusted that anyone would watch a movie on a phone. "You will never in a trillion years experience the film...you'll be cheated," he says in this clip from the special edition of Inland Empire.
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