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Danielle Darrieux
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Danielle Darrieux Mme Darrieux Danielle vous etes celle que nous aimerions etre a votre age !!!! continuez longtemps pour notre plaisir et sans aucun doute pour le votre; vous etes F A B U L E U S E !!!
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The Earrings of Madame De... - Charles Boyer, Danielle Darrieux, Vittorio De Sica Three good reasons you should see The Earrings of Madame de … are the presence and performances of Danielle Darrieux, Charles Boyer and Vittorio De Sica. This celestial triangle has never been surpassed in grace, charm and, yes, wit and humor. [More]
Synopsis: In this standard wartime melodrama, forty-two-year-old Danielle Darrieux plays Jeanne, an unmarried, older woman with a miserable mother who harps on the supposed "fact" that Jeanne is ugly. Jeanne comes into close association with Pierre (27-year-old Jean-Claude Brialy) a young blind man who isRead More
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At the end of World War II, Darrieux kept her successful career going and eventually accepted another offer to appear in a Hollywood production. Once again she received very positive reviews for her performance in the 1951 MGM musical, Rich, Young and Pretty. Although she at once returned to her native France, the following year director Joseph L. Mankiewicz lured her back to Hollywood to star opposite James Mason in the acclaimed 1952 spy thriller 5 Fingers . Back home, she appeared in the 1954 French drama Le Rouge et le noir opposite Gérard Philipe , one of the country's biggest box officedraws. The next year she starred as Lady Constance Chatterly in L'Amant de lady Chatterley (Lady Chatterly's Lover). Based on the D.H. Lawrence novel and the play by Philippe de Rothschild , it was adapted for the screen by co-writer and director, Marc Allégret , but due to its sexual content, both the book and the film were banned by the Catholic censors in the United States .
Danielle Darrieux Après l'occupation allemande, la côte de popularité de Danielle Darrieux chuta en France. Parallèlement à sa carrière cinématographique, elle continua d'interpréter des rôles au théâtre et dans des comédies musicales telles que Gigi.
During the late 1970s Darrieux increasingly turned her attention to television work and the theater. The 1980s... brought a welcome return to the screen with memorable parts that confirmed the undiminished breadth and depth of her talents. In Vecchiali's En Haut des marches, a demanding emotional range was required as Françoise Canavaggia, a French woman intent on revenging her husband's wartime death at the hands of collaborators; in Corps et biens she was the alcoholic Mme. Krantz doggedly investigating her friend's death; in Demy's musical comedy Une Chambre en ville she excelled as the lonely alcoholic industrialist Baronness de Neuville, determined to break a strike.
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