LYCOS RETRIEVER 
Dada
built 233 days ago
Its cheeky, Its UNBELIEVABLE and you can't help but do the 'pop pop pop' Dada is the brainchild of Matt Schwartz (The Drill, Deepest Blue) with Vocals from House Legend Sandy Rivera (Kings of tomorrow) and the wonderful Trix. DADA Lollipop was originally an instrumental track Matt was working on when Sandy who was working in the studio next door on a heavy session (one of those nights ...) came in, grabbed the microphone and took the track to the next level, electropunk singer Trix added the final touch to what ended up becoming lollipop. The track itself was a bit of experiment with full vocals over a club record but all the pieces fell in the right place and the reaction on the floor was amazing from the first play. Already supported by the UK's no 1 DJ Pete Tong, DADA is set to damage the floors all over the world with huge potential of crossing into mainstream radio. DADA is No'1 in the club charts after topping the cool cuts and buzz charts earlier in the year. DADA Feat.
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Dada Mail is a general purpose mailing list manager, targeted to be used for small to medium organizations such as businesses, non-profit organizations and personal sites. A Mailing List Manager is a program that handles the subscriptions of a mailing list and in this case ... sends out mailing list messages - emails that are received by everyone that is subscribed to the mailing list.
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Dada blasted onto the scene in 1916 with ear-splitting enthusiasm: rowdy, brazen, irreverent, and assaulting. Its sounds were clamorous, its visions were shocking, and its language was explosive. Yet Dada was not aimless anarchy. Rather, the artists were responding to the violence and trauma of World War I—and to the shock of modernity more generally—by developing shock tactics of their own. They critiqued traditional conceptions of the artist as master of his medium by using prefabricated materials or relegating aesthetic decisions to chance. They scoffed at the conventional definition of artistic media, expanding it to include the stuff of modern life—newspapers, magazines, ticket stubs, mechanical parts, food wrappers, pipes, advertisements, light bulbs, and so on. Through their performances, publicity stunts, and manipulation of mass media, they further altered perceptions of what constituted a work of art by blurring the boundaries between art and life.
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Dada performance began in Switzerland with the opening of the Cabaret Voltaire in 1916. Zurich had become a haven for artists and political dissenters trying to escape the horrors of the First World War. Among the displaced artists, the future followers of dada formed a distinct group, made up of Hugo Ball, a failed actor and stage manager, painter Marcel Janco, actress Emmy Hennings, artist Hans Arp, expressionist Ferdinand Hardekop, and Tristan Tzara, a young poet. The Cabaret began with conventional enough fare; art exhibits, readings, music. Soon... the founders of the Cabaret began to concentrate on phonic poetry, then on dances and skits and simultaneous works. "The beginnings of Dada were not the beginnings of art, but of disgust."
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"Total pandemonium" was how the sculptor Hans Arp reported the situation in 1916 at the great Cabaret Voltaire in Zurich, where Dada was born. "Tzara is wiggling his behind like the belly of an Oriental dancer. Janco is playing an invisible violin and bowing and scraping. Madame Hennings, with a Madonna face, is doing the splits. Huelsenbeck is banging away nonstop on the great drum, with Ball accompanying him on the piano, pale as a chalky ghost."
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Although Dada itself was unknown in Georgia until at least 1920, from 1917-1921 a group of poets called themselves "41st Degree" (referring both to the latitude of Tbilisi, Georgia and to the temperature of a high fever) organized along Dadaist lines. The most important figure in this group was Iliazd, whose radical typographical designs visually echo the publications of the Dadaists. After his flight to Paris in 1921, he collaborated with Dadaists on publications and events.
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