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Comedy Film: Genres
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Comedy film is a genre of film in which the main emphasis is on humor. Also, films in this style typically have a happy ending. One of the oldest genres in film, some of the very first silent movies were comedies. Comedy, unlike other film genres, puts much more focus on individual stars, with many former stand-up comics transitioning to the film industry due to their popularity. While many comedic films are lighthearted stories with no intent other than to amuse, others contain political or social commentary (such as Wag the Dog and Man of the Year).
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Comedy Films are "make 'em laugh" films designed to elicit laughter from the audience. Comedies are light-hearted dramas, crafted to amuse, entertain, and provoke enjoyment. The comedy genre humorously exaggerates the situation, the language, action, and characters. Comedies observe the deficiencies, foibles, and frustrations of life, providing merriment and a momentary escape from day-to-day life. They usually have happy endings, although the humor may have a serious or pessimistic side.
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The anarchic comedy film uses nonsensical, stream-of-consciousness humor which often lampoons some form of authority. Films of this nature stem from a theatrical history of anarchic comedy on the stage. Well-known films of this sub-genre include Duck Soup (1933), National Lampoon's Animal House (1978) and Monty Python and the Holy Grail (1975).
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A devilishly fun mixture of zombie horror and Brit comedy, “Shaun of the Dead” will please geeks to no end, and provide enough entertainment to those who wouldn’t normally go near a genre film like this. Winningly written and directed, “Shaun” is a gas, and a much needed reminder on why zombies are so much fun.
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The screwball comedy is a subgenre of the comedy film genre. It has proven to be one of the most popular and enduring film genres. It first gained prominence in 1934 with It Happened One Night, and although many film scholars would agree that its classic period ended sometime in the early 1940s, elements of the genre have persisted, or have been paid homage to, in contemporary film.
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