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Chinese Landscape Painting
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Mountains have been a traditional subject for Chinese landscape paintings since the eleventh century. She has always loved mountains, and has been painting and studying them for over twenty years. For her there is an endless fascination and joy in the painting of these bones of the Earth. Traditional Chinese landscape paintings are primarily built on brush strokes using black ink followed with light color washes, a Taoist tranquil influence. The ink brush stroke is the major element and not the colors.
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Landscape painting is an essential part of Chinese culture. Professor Deming Zhang, a Chinese language professor of Zhejiang University and currently a visiting scholar at VU, will introduce you to this art form in a nine-week short course open to anyone who is interested in Chinese culture and arts.
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The Chinese have long conceived of a magical link between mankind and the landscape - that mankind is an integral part of the universe, is swept along and controlled by its flow, and shares its fate. Feng Shui springs from these ideas and seeks to enhance and harmonise with the environment rather than deplete and dominate it. In this sense the ancient Feng Shui practitioners were early environmentalists.
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In traditional Chinese landscape painting, a tiny hut or pavilion almost always appears as the focal point of the composition, dwarfed by vast, precipitous mountains and waterfalls. The pavilion, or t'ing, represents humankind's place in the universe, balanced between heaven and earth. The view from the t'ing becomes part of the garden, whether it is a panorama of a mountain gorge or a tree glimpsed over a wall. This "borrowed landscape" makes the garden seem larger, a part of the natural world around it.
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A Chinese landscape painting can have more than one focus point. It is like you see a mountain with different angles and then combine all the views together to form the painting. Waterfall and cloud are often seen in a Chinese landscape painting. They bring the movement that makes the painting more interesting.
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Landscape painting of the Ming dynasty is best represented by the Wu(Suzhou) school. This was a period when Literary painting flourished. Some Ming painters espoused the Northern school, but they had few followers. The six great painters of the early Qing(1644-1911) ... all favoured the Southern school.
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Chinese Landscape Painting