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Carole Lombard: Hollywoods
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Carole Lombard was among the most commercially successfuly and admired film personalities in Hollywood in the 1930s. Carole Lombard includes a biography which brings to life this vivacious, unconventional woman, who showed fortitude in the face of personal hardships such as the automobile accident that scarred her face at age eighteen. The bibliography that follows is comprehensive in scope, the most ambitious to date; it contains citations for anonymous and attributed magazine articles, books, and films. Full text reprints of a revealing interview for Motion Picture magazine and her only published article provide interesting views of Lombard. The never before published Civil Aeronautics Board investigative report of the airplane crash in which she died, fifteen previously unpublished photographs, and detailed examination of many articles, biographies, and film history books that deal with some aspect of her life and/or career make this bio-bibliography an excellent resource.
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An amazingly talented comedy actress with the face of an angel, Carole Lombard illuminated the silver screen with her sparkling wit and dazzling beauty. Now fans have a chance to reunite with six of her most hilarious and heartwarming films, together in one unforgettable collection. Join Carole as she travels to the seductive streets of Paris in Man of the World; gets shipwrecked on a tropical island in We’re Not Dressing; chases after the millionaire of her dreams in Hands Across the Table; chooses between two romantic rivals in Love Before Breakfast; travels the high seas to murder and mayhem in The Princess Comes Across; and takes to the witness stand in True Confession. It’s a DVD collector’s dream come true with one of Hollywood’s brightest stars!
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Lombard became one of Hollywood's top comedy actresses in the 1930s. Despite her glamorous looks, she was a natural comedienne, and was not afraid to look silly for the sake of being funny. In comedies like Twentieth Century (1934) directed by Howard Hawks, My Man Godfrey (1936) directed by Gregory La Cava, and Nothing Sacred (1937) directed by William A. Wellman, she received praise from critics and was described as one of the key exponents of screwball comedy. However, she played a dramatic role in Vigil in the Night, starring as Nurse Anne Lee opposite Brian Aherne. Produced by David O. Selznick, Nothing Sacred was her only film made in Technicolor. Lombard was offered the role of Ellie Andrews in It Happened One Night (1934), but the filming schedule conflicted with that of Bolero and she was unable to accept.[2]
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[B]eauty was only one aspect of Carole Lombard. There was so much more. Carole was an intelligent, liberated woman far ahead of her time. She had a genuine, direct manner and was famous for both her saucy language and her generosity. One of her directors, Mitchell Leisen, called her: "The profane angel, because she looked like an angel and swore like a sailor." Carole actually used swearing as a way to ward off unwanted advances from Hollywood "wolves". Carole asked her older brothers Frederic and Stuart to teach her curse words and when a man got out of line she would toss off a few well chosen swear words leaving him stunned.
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Lombard became one of Hollywood's top comedy actresses in the 1930s. Despite her glamorous looks, she was a natural comedienne, and was not afraid to look silly for the sake of being funny. In comedies like
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