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Byzantine Icons
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While the above description of colors used in Icons is the general concept used in Byzantine iconography there are variations. First, many older Icons were written in different parts of the world where some pigments were not available. There are many classical Icons where green has been substituted for blue because blue pigments were not available. Many older icons have been retouched over the years and variation in colors occur on the same Icon due to differences in pigments. Over the years many Iconographers have deviated from the traditional styles and incorporated new colors into Icons.
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Glass making techniques were refined to a fine art, and with the addition of gold to the mix, richly luminous stained glass was used to produce the famous Byzantine mosaics - works of outstanding beauty. Byzantine art moved away from the three-dimensional sculptures of Roman times to painting on flat surfaces. Byzantine paintings mainly depicted forms of humans and angels, and were usually religious in context.
High quality reproductions of Byzantine icons; all replicated using traditional Greek agiographical techniques. Made from 95% Sterling Silver and 24 Karat Gold - all items are hand-made in Greece and carry a stamp of authenticity.
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Conclusions: The use of organic chromatic materials in post Byzantine icons of 16th century has been verified. The main types of organic pigments used and ... the techniques of their application were identified.
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Michel Quenot: The Icon Icons are a form of testimony to the Incarnation of the Word, they bear witness to the redemption of matter in all creation, as declared by the Incarnation. Their themes cannot be changed and the mode of depiction must lead the onlooker to the world of Divine Reality.
Mosaic from the church of Hagios Demetrios in Thessaloniki, late 7th or early 8th century, showing St. Demetrios with donors. Eight hundred years of continuous Byzantine culture were brought to an abrupt end in 1204 with the sacking of Constantinople by the knights of the Fourth Crusade, a disaster from which the Empire never recovered. Although the Byzantines regained the city in 1261, the Empire was thereafter a small and weak state confined to the Greek peninsula and the islands of the Aegean.
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  Byzantine Icons