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Bibi Andersson
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Bibi Andersson is one Swedish dish sure to cook your meatballs. She was plucked from film obscurity by arthouse fave Ingmar Bergman in the mid '50s, and the director put her in all his head-scratching best, such as Persona (1966) and Scenes from a Marriage (1973). But you'll be scratching your little head watching her in the maestro's mam-sterpiece The Touch (1971). Audiences … Join Mr. Skin to read her entire Biography
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Bibi Andersson studied acting at the Terserus Drama School and at the legendary Royal Dramatic Theatre School in Stockholm. After completing school, she agreed to join the Royal Dramatic Theatre in Stockholm, which she remained a member of for 30 years. Her first collaboration with Ingmar Bergman was in 1951, when she participated in his production of an advertisement for the detergent "Bris". At the end of the 1950s she starred in three Bergman pictures: The Seventh Seal, Wild Strawberries, and Brink of Life.
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A nurse, Alma (Bibi Andersson), is caring for a famous actress, Elizabeth (Liv Ullman), who became dumb during a performance of Electra and has not spoken since. The doctor tells Elizabeth she is using her silence as a form of protest. The two women, Alma and Elizabeth, are loaned the use of the doctor’s seaside cottage for the summer.
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Bibi Andersson is undoubtedly best known in America for her roles in such intensely moving Ingmar Bergman films as Persona and Wild Strawberries. But she has had an equally significant career in the theatre. She first worked with Bergman at Sweden's Royal Dramatic Theatre (the Dramaten) in 1955, and 40 years later she's still acting for him with the same company. This time she plays Paulina in his production of Shakespeare's The Winter's Tale, which plays at the Brooklyn Academy of Music, May 31-June 3, as part of the four-month-long citywide Bergman Festival. Given Andersson's enduring collaboration with Bergman, it's hardly surprising that she is able to offer insight into the director's, as well as her own, working methods.
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Synopsis: Laura (Bibi Andersson) has long been divorced from her theater-critic husband Alfred (Anthony Perkins), though they still see one another from time to time. One day, while working at the icon museum she directs, Laura strikes up a conversation with Sylvia (Sandra Dumas). The two take a shine toRead More
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In the 1980s Bibi Andersson tried her hand at directing, with productions in Stockholm of Sam Shepard's True West and Suzanne Brøgger's After the Orgy. Her autobiography Ett ögonblick ("One Moment") was published by Norstedts in 1996.
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Bibi Andersson