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Bessie Smith: Recordings
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Bessie Smith died after a late night car accident two years after Van Vechten photographed her; she was fifty years old. Contradictory reports surround Smith’s death, which, like much of her life, remains shrouded in rumor. Some say a doctor at the scene abandoned Smith to treat a white couple who had received minor injuries in the crash. Others suggest that Smith bled to death in the ambulance on the long drive in search a of hospital that treated African Americans. It has been suggested, too, that Smith was refused treatment at a nearby white hospital. This scenario is the subject of Edward Albee’s play The Death of Bessie Smith.
Often known as the "Empress of the Blues," Bessie Smith influenced entire generations of blues, jazz, and rock musicians and was the highest-paid black entertainer of her time. Born in 1892 in Chattanooga, she was one of 13 children. To help raise money for her family, she and her brother performed on the streets of Chattanooga. In 1912 she was hired by a group of traveling entertainers known as the Rabbit Foot Minstrels, and the next year she formed her own act in Atlanta. After the release of her 1923 song
Bessie Smith was never taken to a white hospital. In the segregated South of that time no ambulance driver would have taken a black patient to a white facility. And, according to testimony from the doctor and bystanders, the ambulance headed directly to the black hospital rather than the white one. In all probability, Bessie died from shock and loss of blood before she reached the hospital.
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Bessie Smith earned the title of “Empress of the Blues” by virtue of her forceful vocal delivery and command of the genre. Her singing displayed a soulfully phrased, boldly delivered and nearly definitive grasp of the blues. In addition, she was an all-around entertainer who danced, acted and performed comedy routines with her touring company. She was the highest-paid black performer of her day and arguably reached a level of success greater than that of any African-American entertainer before her.
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Originally hired as a dancer, Smith rapidly polished her skills as a singer and often combined the two, weaving in a natural flair for comedy. From the beginning, communication with her audience was the hallmark of the young singer. Her voice was remarkable, filling the largest hall without amplification and reaching out to each listener in beautiful, earthy tones. In Jazz People, Dan Morgenstern quoted guitarist Danny Barker as saying: "Bessie Smith was a fabulous deal to watch. She was a large, pretty woman and she dominated the stage. You didn't turn your head when she went on. You just watched Bessie.
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While Dr. Smith was attending Bessie, another car crashed into the back of his parked car. Dr. Smith could see that the occupants of the wrecked car, a white couple, were slumped over and splattered with blood. But he continued his ministrations to Bessie until he and the ambulance team had gingerly placed her into the ambulance. Then the frantic doctor turned his attention to the injured white couple.
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