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Beethoven
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Born probably on December 16, 1770, in Bonn, Beethoven was reared in stimulating, although unhappy, surroundings. His early signs of musical talent were subjected to the capricious discipline of his father, a singer in the court chapel. In 1789, because of his father's alcoholism, the young Beethoven began supporting his family as a court musician. His early compositions under the tutelage of the German composer Christian Gottlob Neefe—particularly the funeral cantata on the death (1790) of Holy Roman Emperor Joseph II—signalled an important talent, and it was planned that Beethoven study in Vienna with Wolfgang Amadeus Mozart. Although Mozart's death (1791) prevented this, Beethoven went to Vienna in 1792 and became a pupil of the Austrian composer Joseph Haydn.
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Beethoven’s music is generally divided into three main creative periods. The first, or early, period extends to about 1802, when the composer made reference to a “new manner” or “new way” in connection with his art. The second, or middle, period extends to about 1812, after the completion of his Seventh and Eighth symphonies. The third, or late, period emerged gradually; Beethoven composed its pivotal work, the Hammerklavier Sonata, in 1818. Beethoven’s late style is especially innovative, and his last five quartets, written between 1824 and 1826, can be regarded as marking the onset of a fourth creative period.
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Beethoven was probably inspired by Mozart's Sonata in A major when he composed op. 26 in A-flat major with a set of variations (instead of sonata form). This sonata was published by Jean Cappi in 1802 with a dedication to Prince von Lichnowsky.
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Beethoven