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Ballet: New York City Ballet
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Almost all contemporary ballet companies and dancers are influenced by Diaghilev's Ballets Russes. The first visit by this company to North America in 1916-17 stimulated great interest in ballet. Dancers from the Ballets Russes were instrumental in furthering this new interest in ballet. For example, dancer George Balanchine came to the United States and founded the New York City ballet (originally the American Ballet). He became renowned for perfecting the abstract ballet and for establishing neo-classicism through his choreographic masterpieces such as Serenade, Agon and Concerto Barocco. The United States proved to be fertile ground in the development of Modern dance.
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New York State Theater, home of the New York City Ballet Balanchine ... brought modern dancers in to dance with his company, the New York City Ballet; one such dancer was Paul Taylor, who in 1959 performed in Balanchine's piece Episodes. Balanchine also worked with modern dance choreographer Martha Graham, expanding his exposure to modern techniques and ideas. Also during this period, choreographers such as John Butler and Glen Tetley began to consciously combine ballet and modern techniques in experimentation.
In the United States, Lincoln Kirstein and Edward Warburg founded the American Ballet company in 1934. Under the direction of George Balanchine, its chief choreographer, the company established the first major school of ballet in the country, developed the talents of many notable American dancers (including Maria Tallchief, Todd Bolender, Suzanne Farrell, Patricia McBride, Jacques d'Amboise, Arthur Mitchell, and Edward Villella), and influenced enormously the evolution of an American ballet style as parent company to the New York City Ballet (founded 1948), one of the world's outstanding companies. Other celebrated choreographers who created ballets for the New York City Ballet are Eugene Loring, Jerome Robbins, and Peter Martins.
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