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Audrey Hepburn: Mel Ferrer
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Audrey Bag Innocent, ethereal in her rare beauty, Audrey Hepburn stood alone among the actresses of her time. Into the abundance of voluptuous American girls came this gamine with an enchanting Anglo-European accent. With her big eyes, long neck, demure smile, melodious voice and perfect wardrobe, that aura of an angel on earth, she dazzled moviegoers for decades and in her later years ... worked hard as a special ambassador for UNICEF. Despite her glamour, charm and elegance, Hepburn is one star who has always been seen to have real heart. Traveling to areas afflicted by famine and devastation, Hepburn worked to raise public awareness of the plight faced by children in times of crisis. Her commitment to alleviate the suffering of children was intense and genuine.
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From Hepburn's Roman Holiday screentest which was also used in the promotional trailer for the film. Before having their first child, Hepburn had two miscarriages, the first in March 1955. In 1959, while filming The Unforgiven, she broke her back after falling off a horse onto a rock. She spent weeks in the hospital and later had a miscarriage that was said to have been induced by physical and mental stress. While she was resting at home, Mel Ferrer brought her the fawn from the movie Green Mansions to keep as a pet. They called him Ip, short for Pippin. In 1965, she had another miscarriage.
From 1967 onward, after fifteen highly successful years in film, Hepburn acted only occasionally. After her divorce from first husband Mel Ferrer, she remarried Italian psychiatrist Dr. Andrea Dotti and had a second son, after a difficult pregnancy that required near-total bed rest. After her eventual separation from Dotti, she attempted a comeback, co-starring with Sean Connery in the period piece Robin and Marian in 1976, which was moderately successful, but not up to the usual standards of a Hepburn hit film. Surprisingly, she turned down the seemingly made-to-order role of a former ballet dancer in The Turning Point. (Shirley MacLaine got the part, and the successful film invigorated her career.) She later said that turning down the part was the biggest regret of her career. Hepburn made another comeback try in 1979, starring in Sidney Sheldon's Bloodline: Pulp author Sheldon's books were so popular his name was included in the film's title, no doubt leading Hepburn to think she had picked a winner.
Hepburn was married twice. In 1954 she married Mel Ferrer, the movie actor. The marriage lasted fourteen years until 1968. With Ferrer she had a son, Sean, born on July 17, 1960. She got married again in 1969 to Dr. Andrea Mario Dotti. She ... had a son with him named Luca, born on February 8, 1970.
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Hepburn at age fifty-nine in Always From 1967 onward, after fifteen highly successful years in film, Hepburn acted only occasionally. After her divorce from Ferrer, she married Italian psychiatrist Dr. Andrea Dotti and had a second son, after a difficult pregnancy that required near-total bed rest. After her eventual separation from Dotti, she attempted a comeback, co-starring with Sean Connery in the period piece Robin and Marian in 1976, which was moderately successful. She reportedly turned down the tailor-made role of a world-famous ballerina in The Turning Point. (Anne Bancroft got the part.) Hepburn finally returned to cinema in 1979, taking the leading role of Elizabeth Roffe in the international production of Bloodline, directed again by Terence Young, sharing top billing with Ben Gazzara -- with whom purportedly she had an affair on-set-, James Mason and Romy Schneider. Author Sidney Sheldon revised his novel when it was reissued to tie into the film, making her character a much older woman to better match the actress' age.
Hepburn met Mel Ferrer at a party hosted by Gregory Peck, and quickly fell in love with him. After Sabrina, Audrey went back to the stage, this time with Ferrer in a play called Ondine, in which she played a water sprite. Ferrer was rumored to be perhaps too controlling of Hepburn, but in William Holden's words, "I think Audrey allows Mel to think he influences her."
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