LYCOS RETRIEVER 
Andre De Toth: United States
built 194 days ago
Description: In this remake of the classic 1953 Andre de Toth film that starred Vincent Price, horrors abound in a creepy wax museum. A group of road-tripping Florida teenagers (Elisha Cuthbert, Chad Michael Murray, Paris Hilton, Robert Ri`chard, Jared Padalecki, and Jon Abrahams) stop to camp near a small town where an abandoned wax museum draws their curiosity. Upon exploring the scary cobwebbed space, they find that the figures are not only eerily lifelike, but that the entire museum--floor to ceiling--is actually made of wax. If that wasn`t enough to scare them, they encounter a couple of very unsettling characters who seem to be the only people around for miles. One is a blood-splattered redneck who collects roadkill, dumping the bodies of dead deer into a fetid carcass swamp. The other is Bo (Brian Van Holt), a gas station attendant who lures the kids back to his house.
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De Toth's great theme is betrayal--not single betrayals by individuals but networks of betrayal that implicate most of his characters. In de Toth's moral universe, the majority are susceptible to compromise, and the minority who remain pure--such as the rabbi who exhorts his fellow Jews to fight the Germans in None Shall Escape (1944)--wind up dead or otherwise ruined, their lives altered forever by the treachery they've survived. Indeed, the phrase "None Shall Escape" could serve as a motto for de Toth's entire oeuvre. Born in Hungary, de Toth directed several films there and elsewhere in Europe before emigrating to the United States in 1940--on a ship, as he recalls, that sank on its next voyage. It's hard to know how his worldview originated, but perhaps it had something to do with coming of age amid the complexities of Europe between the wars, and having witnessed and filmed the 1939 German invasion of Poland.
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His best-known film, the 3-D House of Wax, was not a typical de Toth production. Starring Vincent Price as a deranged sculptor deformed in a fire who rebuilds his collection by making wax statues out of his murder victims, the film is still regarded as the best of a dismal genre, despite its gruesome content.
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