LYCOS RETRIEVER 
Al Jarreau: Singing
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Al Jarreau "plays" his voice like Benson does a guitar. This virtuoso performance is unmissable. He glides and glows throughout the whole CD. No dull moment all through. if this is not in your collection, ORDER NOW. It's dazzling.
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The outstanding aspect of Jarreau's total feel is that of the human spirit, rising up to meet a challenge. Without ever preaching, his songs contain the intensity of that "inner mounting flame" that makes romanticism but another facet of reality. There is an unpointed presence of morality in the whole presentation, the one that is present in all great art. His scat solos are like watching someone paint an abstract masterpiece and then deliberately burn it up all in the span of less than a minute. If his vocal reveals any trace of suffering, it is evident that he has utilized it to its furthest potential as a learning experience.
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Jarreau began singing in his own church and with neighborhood street harmony groups, filling whatever part was open. He sang in jazz bands in high school, but even then his musical repertoire was quite eclectic. "I know the lyrics to more polkas than most German and Czech people," he told the Chicago Tribune. "It's all in those wrinkled folds of gray matter."
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In January 1995 Al-oholics Anonymous became the first webpage on the Internet fully devoted to Weird Al. It has now been on the net for over 10 years. In honor of this anniversary, some changes have taken place.
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[One] Grammy would follow in 1978, when Jarreau was named Best Jazz Vocalist. His album that year, All Fly Home, contained cover versions of "She's Leaving Home" and "Sittin' on the Dock of the Bay." He was named Best Jazz Vocalist at the Grammy Awards again in 1979. His 1980 album, This Time, brought in a new producer, Jay Graydon, and a focus on the material over Jarreau's personal style.
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